Page 41 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
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CHAPTER  1  Introduction


                        culture that is thought to have emerged through the trade and exchange of porcelain

                                                     52
                        in different parts of the world.

                            Porcelain is also viewed as ‘luxury good’ in the context of global trade, and played


                        a  significant  role  in  fostering  consumer  cultures  and  stimulating  the  industrial

                        development. The most significant contribution is the work of Maxine Berg. Berg

                                                                                                53
                        studied ‘Asian goods of the eighteenth century in the context of global trade.   At this

                        time, ‘Asian goods’ were a luxury in Europe and fostered a consumer culture that led

                        to production and invention in Britain. As a result, the imitation of producing certain


                        goods played an important role in industrial development in Britain. Her research

                        serves as an important methodological guide for studies on the global trade and global


                        history,  as  it  bridges  the  trade  with  consumption,  as  well  as  production  in  global

                        connections.


                            By tracing not  only the  European desire  for blue-and-white porcelain, but  its

                        appeal to West Asian and Middle Eastern consumers, scholars have argued that this


                        widespread desire for blue-and-white wares created a truly ‘global’ shared culture.

                        Finlay encourages scholars from multiple disciplines to think about Chinese export

                        porcelain as a global commodity, and as a material culture that played a significant


                        part  in  connecting  different  parts  of  the  world  between  the  tenth  century  and  the

                        eighteenth century.


                            However, any approach that simply reinforces the idea of the global connections

                        of  Chinese  porcelain,  particularly  blue-and-white  wares  in  the  studies  of  global


                        consumption is problematic. Firstly, it neglects its place of origin—China. It seems



                        52   Anne Gerritsen and Stephen McDowall, ‘Material Culture and the other: European Encounters
                        with Chinese Porcelain, ca. 1650-1800’ Journal of World History, 23, 1 (2012), pp.87-113.
                        53   Maxine  Berg,  ‘In  Pursuit  of  Luxury:  Global  History  and  British  Consumer  Goods  in  the
                        Eighteenth Century’, Past and Present, 182, 1(2004), pp.85-142.
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