Page 68 - Christie's London Fine Chinese Ceramics Nov. 2019
P. 68

PROPERTY FROM A PRIVATE ENGLISH COLLECTION
                           61
                           A RARE GILT-BRONZE FIGURE OF SHAKYAMUNI
                           MING DYNASTY, 15TH CENTURY OR EARLIER
                           The Buddha is seated in vajrasana on a double lotus base with beaded rims before a mandorla formed
                           of lotus buds. The right hand is held in bhumisparsa mudra, the gesture of 'touching the earth', and the
                           left hand is held with palm facing upwards on his lap, centred with an integral bronze pin likely to have
                           supported an alms bowl. The serene fgure has downcast eyes and the forehead is centred with an urna.
                           The fgure wears a robe, draped over the shoulders and open at the chest, the hems with beaded details
                           and incised foral scrolls. The lotus base is cast to the lower register with an unusual design of a leafy stem
                           scrolling around lotus buds with three distinct centres: striped, ring-punched and dotted. The underside
                           base plate is sealed.
                           7Ω in. (19 cm.) high
                           £50,000-80,000                                        US$62,000-99,000
                                                                                   €57,000-90,000
                           PROVENANCE:
                           Private English Collection, acquired in the UK in the 1970s.
                           The fgure contains metal sculptures as part of its consecration and is a rare example of an early
                           sculpture with its consecration intact. The X-ray reveals the presence of at least two metal sculptures:
                           a miniature Buddha and a Buddhist stupa. The Buddha is seated in padmasana on a lotus throne, his
                           left hand help in dhyanamudra. The process of consecrating a Buddhist sculpture was an elaborate
                           ritual executed in accordance with canonical texts describing the process in detail. The most important
                           part of the ritual was flling the sculpture with relics, for the vast majority comprising paper scrolls with
                           mantras. In special circumstances, the lama included metal sculptures of deities and ritual objects
                           associated with a renowned Lama. For a discussion on the consecration of Buddhist sculptures, see the
                           essay by G. Leonov in Wisdom and Compassion, The Sacred Art of Tibet, M Rhie and R. Thurman, New
                           York, 1991, pp351-353.

                           明十五世紀或更早 鎏金銅釋迦牟尼佛生像
                           來源:
                           英國私人珍藏,於1970年代購自英國

































                          (x-ray)                                 (x-ray detail of miniature Buddha and stupa)






          66     In addition to the hammer price, a Buyer’s Premium (plus VAT) is payable. Other taxes and/or an Artist Resale Royalty
                 fee are also payable if the lot has a tax or λ symbol. Check Section D of the Conditions of Sale at the back of this catalogue.
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