Page 107 - Christie's Hong Kong November 29, 2022 Chang e Wha Collection of Jades
P. 107

fig. 1 Collection of the National Palace Museum, Taipei             fig. 2
                           圖一 國立故宮博物院藏品                                              圖二




          ‘Han eight-cut’ is a unique decorative technique in ancient Chinese   surname  Ruan,  was  a  brave  general  serving  under  Qin  Shihuang
          lapidary using negative carving, and appeared as early as the late   emperor. He was said to be one  zhang and 3  chi in height (almost
          Warring States period on jade bi discs, becoming fully developed   400 centimeters), and extremely gallant. He was stationed in Lintao
          in the Han Dynasty. This technique is often used on jade cicadas,   by  the  emperor  to  ward  off  the  Xiongnu  tribe.  After  he  died,
          jade pigs, jade Weng Zhong figures, jade ‘compass’ pendants, and   the emperor ordered a bronze statue of him made and placed it
          jade bi discs with kui dragons or kui phoenixes.  It makes use of an   outside  the  Sima  Gate  of  Xianyang  Palace  as  guardian.  Thereafter,
          angled wheel cut called ‘daxiedao’ (great angled cut) with very sharp   bronze or stone guardian figures outside a palace or a tomb are
          and clean edges where the wheel comes into contact with the stone   called  Weng  Zhong.  Han  lapidaries  carved  miniature  Weng  Zhong
          both perpendicularly and at an angle.  Its style is bold and powerful   figures the size of a thumb to be suspended from the belt as
          as if cut by a knife, and the design is composed of a mere few strokes   protection talisman.
          without showing signs of composite wheel marks. The grooves are
          polished to a high finish even down to the deepest recess.  Jade Weng Zhong figure, jade ‘compass’ pendant and jade  gangmao
                                                              pendant are called the Three Talisman Treasures of Han Dynasty.
          Compared to examples from other periods, jade cicadas from the
          Han Dynasty are very distinctive. Carved in ‘Han eight-cut’ style,   Sinan is a compass of ancient China shaped like a spoon above
          they have a high forehead, bulging eyes and a wide neck. They   a base plate; regardless of the position of the base plate, the free spinning
          are decorated with sparse lines, with the body delineated with   spoon always settles on the ≈direction of the south. Divination was very
          simply carved grooves; the overall appearance is neat, symmetrical   popular in the Han Dynasty, so the base plates are often carved with the
          and elegant.                                        heavenly stems, earthly branches and eight trigrams etc. to aid the diviner
                                                              in predicting whether any given situation is auspicious. As jade is said to
          Jade funerary objects became very fashionable in the Han Dynasty,   ward off evil, sinan-shaped jade pendant were made to be an auspicious
          and those made to be placed in the hands of the deceased are called   talisman to be worn as ‘compass’ pendants. The ‘compass’ pendants are
          wo (to hold). After mid Western Han period, jade pigs were used as   shaped as two flattened cylinder connected with a waist section, below
          wo. These jade pigs are carved with ‘Han eight-cut’ technique to   a spoon and a plate on the top. The surface is normally unadorned, and
          great effect. A jade pig in the Taipei Palace Museum (fig. 1) was   they are often drilled with an attachment hole, sometimes at the waist,
          greatly admired by the Qianlong Emperor, who mistook it for a   or on the handle of the spoon.
          bear and composed a poem On Han Jade Bear  for it to be inscribed
          on the base:                                        Although there are no gangmao pendants in the current sale, they are
                                                              noteworthy for their importance. Gangmao and yanmao pendants are
          In the ancient time this style is made, who dare try it in the present day?  often grouped together. They are both of rectangular cuboid shape
          It’s neither alike nor not-alike; a zen puzzle by the lapidary of jade.  around 2 cm. high and  1 cm. wide. They are pierced  lengthways
          (Qinggaozong yuzhishi, Vol. 5, Juan 95) (fig. 2)    in the centre for attachment. The four long sides are inscribed
                                                              each with 8 characters for a total of 32 characters, or 10 characters
          The jade Weng Zhong figures from Han Dynasty are also carved     on the first side and 8 characters on the rest (34  characters). The
          in the ‘Han eight-cut’ technique. The face only features eyes    inscription is written in yishu script, which is one of the eight scripts
          and mouth, delineated with three to five short incised lines,     of Qin Dynasty. The gangmao pendants have the characters gangmao in
          like the character  品 written upside down. The head is oval     the first line, while  yanmao pendants have the characters yanmao
          above a triangle-shaped beard, and the figure is wearing a loose   in the first line – both inscriptions are invocations for protection from
          robe with broad sleeves crossed at the front. Weng Zhong,    the gods and for warding off misfortune.


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