Page 224 - The Age of Sultan Suleyman the Magnificent
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156.  Seraser  cushion  cover,  second  half sixteenth  century
         (Washington, The Textile Museum,  1.65)
                                                                157.  Catrna  cover, late sixteenth  century  (The Art Institute of Chicago,
                                                                1949.300)






     design  with  a  radiating composition  in  the  field  and  lappets at  fabrics  were  not  as  carefully  designed  and  executed,  or that
     each  end  served  as the  model  for a mid-seventeenth-century  the  yastik  was  not  produced  in the  palace workshops  but  was
     embroidered  cover. 91                                     made  for public consumption  or  for  export.
       The more sumptuous  yastiks were  embroidered  or made of  One  type  of large velvet  cover  is constructed  of two  loom
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     seraser.  One  of the  rare  seraser  examples  (156),  woven  with  widths,  each  approximately  65  centimeters  (25 /s inches)
     pistachio-green  silk, contains  a  central  gold  oval framed  by a  wide  and  about  170  to  180 centimeters  (some 67  to  71
     band  of serrated  leaves enclosing  a  symmetrical  scroll with  inches)  long.  Most  of these  pieces have  overall patterns—
     blossoms  and  rosebuds  surrounding  a central flower. Stems  eight-petaled  blossoms,  fan-shaped carnations,  or plane-tree
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     bearing  similar blossoms,  carnations,  and  feathery leaves  over-  leaves —with  a  pseudo  border  defined by  several  thin  lines
     laid  with  sprays of  flowers  decorate  the  corners  of the  silver  laid  over  the  motifs.  These  cloths were  either  spread  on  the
     field.  Four  complete  and  two  half lappets  filled  with floral  floor in  small  chambers  that  projected  out  from  the  walls  and
     sprays appear  at  one  edge.  The reddish-gold tone  used  in this  were surrounded  by  windows,  or  were  used  as covers for
     fabric  was  produced  by  gilded silver wound  on  orange  silk.  fairly  large floor cushions.
     This  cover  is one  of a pair;  its mate  is in  Warsaw. 92  One  of these velvets  is decorated  with  a  series  of concentric
       The  quality  of weaving  is not  as refined  as  the  serasers  used  balls  flanked  by  a pair of incurving leaves  (157). The  pattern
     for  imperial  kaftans  (see  119),  which  suggests that  upholstery  consists  of six horizontal  rows  placed  on  alternating  axes. A


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