Page 227 - The Age of Sultan Suleyman the Magnificent
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158.  Prayer  rug  with  a pair of columns,  second  half sixteenth  century  159.  Prayer  rug  with  three pairs of columns,  second  half sixteenth  century
           (Kuwait  National Museum,  LNS 29 R)                       (New York, The Metropolitan Museum  of Art, 22.100.51)






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           mosque  lamp  with  polychrome floral motifs,  suspended by  about  the  same  size  (168 by  128 centimeters, or  66Vs by  50 /s
           three  chains,  has  parallels in ceramic examples, particularly  inches)  and  may  have  been  made  as a companion  piece using
           the  pair  of lamps made for the  Mosque  of Sokollu  Mehmed  the  same  cartoon.
           Pa§a  in  the  1570s  (see  195). The mihrab niche with  a hang-  A  more  complex  field  was  employed  on  the Metropolitan
           ing lamp that  symbolizes celestial light, employed in religious  Museum  seccade  (159),  which  has  almost the  same  dimen-
           buildings,  is incorporated  into  the  repertoire of the  rugs. The  sions  as the  one  discussed above  as well  as an  identical bor-
           iconography  and  design of the  seccades are  specifically  con-  der  flanked  by  the  same  guard  stripes. Its field, however,  is
           ceived  for ritual prayer with  references to  life  hereafter, possi-  divided  into  three  compartments  by  additional pairs of col-
           bly  for  the  souls  of the  deceased.  The  fact  that  two  of the  ex-  umns. Their pedestals, shafts,  capitals, and  the  miniature
           amples  in Istanbul were  found in  imperial mausoleums    domical buildings above  the  entablatures at  the  bases of the
           suggests  that  they  were  intended  as donations  to  turbes. 116  arches  follow  the  format of the  Kuwait rug. The central  com-
             The same  format and  decoration,  with  minor  variations in  partment,  rendered  in  deep  emerald  green,  has  a  rounded
           the  colors  used  for the  motifs and  their backgrounds,  appear  arch  with  a mosque  lamp;  the  side arches  are  pointed  and
           in  the  Cincinnati rug, formerly in  the  Moore  Collection. It is  the  spandrels are filled with  rumis,  cartouches, and  blossoms.


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