Page 134 - Collecting and Displaying China's Summer Palace in the West
P. 134

“Rose-water Upon His Delicate Hands” 119
              Swinney, Geoffrey N. ‘What do we Know about What We Know? The Museum ‘Register’ as
                Museum Object’. In Sandra Dudley et al. eds. The Thing About Museums: Objects and
                Experience, Representation and Contestation. Essays in Honour of Susan M. Pearce.
                London and New York; 2011: 31–46.
              Thomas, Greg, M. ‘The Looting of the Yuanming and the Translation of Chinese Art in Europe.’
                In Nineteenth-Century Art Worldwide, Vol. 7, No. 2 (Autumn 2008): 1–40.
              Tythacott, Louise. The Lives of Chinese Objects: Buddhism, Imperialism and Display. New
                York: Berghahn Books, 2011.
              Vogel, Susan. “Always True to the Object”. In Karp, Ivan, and Steven Lavine.  Exhibiting
                Cultures: The Poetics and Politics of Museum Display. Washington: Smithsonian Institution
                Press, 1991: 191–204.
              Wang, Audrey.  Chinese Antiquities: An Introduction to the Art Market. Farnham: Lund
                Humphries, 2012.
              Wilkinson, Endymion P.  Chinese History: A New Manual. (Harvard-Yenching Institute
                Monograph). Cambridge, MA: Harvard University Asia Center, 2013.
              Wilkinson, Jane, and Pearce, Nick. Harmony & Contrast: A Journey Through East Asian Art.
                Edinburgh: National Museums of Scotland, 1996.
              Wilson, George. Inaugural lecture, “What is Technology?” delivered at Edinburgh University
                on 7 November 1855. Edinburgh New Philosophical Journal, new series (1855): 3.
              Wolseley, Garnet W. Narrative of the War with China in 1860: To Which Is Added the Account
                of a Short Residence with the Tai-Ping Rebels at Nankin and a Voyage from Thence to
                Hankow. Wilmington, Del: Scholarly Resources, 1972.
              Wong, Young-Tsu. Paradise Lost: the Imperial Garden: Yuanming Yuan. Honolulu: University
                of Hawai’i Press, 2001.
              Yang Xiaoneng. “Ming Art and Culture from an Archaeological Perspective—Part 2: the
                Imperial Mausoleum and Elite Burial Practices.” Orientations. 37.6 (2006): 69–78.
              Yang Xiaoneng. “Ming Art and Culture from an Archaeological Perspective—Part 1: Royal
                and Elite Tombs.” Orientations Hong Kong. 37.5 (2006): 40–49.
              Zhuo, Wu. “Notes on the Silver Ewer from the Tomb of Li Xian.” Bulletin of the Asia Institute,
                New Series, Vol. 3 (1989): 61–70.
   129   130   131   132   133   134   135   136   137   138   139