Page 77 - A Dictionary of Chinese Symbols BIG Book
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A Dictionary of Chinese Symbols     70
         birthday  and    name-giving ceremonies. The more sons a man had the better; and
        some patriarchal prodigies in Chinese history who, we are told, had a hundred sons, are
        held up as ideal exemplars. Thus, for example, Wen-wang, the founder of  the  Zhou
        Dynasty (c. 1050 BC).
           The preferential treatment of male issue emerges very  clearly  from  a  well-known
        passage in the ‘Book of Odes’ (No. 189). The ‘Great Man’ (chief diviner) is asked to
        interpret a dream: ‘Black bears and brown-and-white bears, they are good omens of sons;
        snake-brood and snakes, they are omens of daughters. And so he bears sons; they lay
        them on a bed, they dress them in skirts, they give them as toys (jang jades) jade insignia;
        they cry shrilly; their red knee-covers will be brilliant, (they will be) rulers of hereditary
        houses.  And so he bears daughters; they lay them on the ground, they dress them in
        wrappers, they give them as toys spinning-whorls …’ (Karlgren).
           With  the  emancipation  of women and their advance to equality with men in many
        fields,  such  customs  have  vanished. The intense concern shown by parents in the
        education of their sons survived much longer. ‘At least the first provincial examination!
        Then the higher grade exams, at last  the  final examination in the capital! For two
        thousand years, that was what parents aimed at for their sons. The examinations were the
        steps that led to high office, to success, to respect from one’s fellows and often to wealth.
        By taking these steps one could rise from the peasant and artisan classes, even from the
        merchant class to the highest class in the land – that of the officials and scholars.’
           A  folk-print shows a hundred children playing with    lotus flowers in a pond.
        The inscription is ‘Wen-wang loved lotus’ (lien  =  lotus  symbolises  ‘lian’  =  love).
        A picture showing two children in adult clothing, one holding a lotus, the other holding a
        little box, is a representation of the Heavenly Twins, the    He-he (he =  lotus,  or
        concord; he = small box, or concord): the He-he are the gods  of  conjugal  felicity.
        Two children standing smiling at each other express the wish ‘(May you) meet each other
        in joy’, a metaphor for conjugal intercourse. Five children may  be  shown  holding  a
        placard bearing the words ‘May five sons pass the examination.’ One often sees a picture
        divided into two sections, each showing a woman with a son: one son holds a lotus in his
        hand, the other is mounted on a    unicorn. The picture expresses the wishes ‘May the
        heavenly powers send you a son’ and ‘May the unicorn bring you a son.’ The wish ‘May

        good luck, long life and children, all be (yours) in plenty’ is expressed by a picture
        showing twelve children with    pomegranates and    peaches. A picture showing an
        old man dressed as a child playing on the ground in front of an even older pair, is a
        reference to Lao Lai-zi, one of the 24 ideal examples of filial piety (   xiao); he played
        on the ground like a child in order to convince his parents that they were still young!
           In Taoist literature, the  child epitomises the ideal  innocence of the holy  sage,
        absorbing all that it sees. A man who still owes his father money when the latter dies will
        have a bad son, a son who will cost him the equivalent of the debt; conversely, a son who
        is owed something by his father when the latter dies will have a duly filial son of his own.
           In olden times it was believed that the songs that children sang on the streets at play
        were manifestations of the supernatural. They were noted down  and  analysed  and
        political decisions might be taken in the light of deductions therefrom.
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