Page 62 - 2019 OctoberEnammelled Jewels Sotheby's Hong Kong
P. 62

1         A HIGHLY IMPORTANT AND SUPERBLY PAINTED
                                       BEIJING ENAMEL FALANGCAI POUCH-SHAPED
                                       GLASS VASE
                                       BLUE ENAMEL MARK AND PERIOD OF QIANLONG


                                       masterfully conjured by the most dexterous craftsmen in the Imperial Workshops
                                       under the direct mandate from the Emperor, the immaculate milky-white glass
                                       well hollowed and charmingly modelled in the form of a ribbon-tied pouch, its
                                       ovoid body carved with sets of evenly spaced vertical ribs simulating textile pleats,
                                       elegantly tapering to a fluted neck and ruffled rim, the shoulder wreathed by a
                                       twisted soft-pink sash fastened into an off-centred knotted ribbon suspending
                                       two flowing tassels, exquisitely painted in delicate pastel enamels depicting on
                                       both sides a phoenix gracefully swooping from cascading pink and lavender-
                                       blue clouds amid peonies, the birds with bodies covered in flamboyant plumage
                                       individually picked out in alternating shades of pink, green, yellow, blue and
                                       aubergine enamels and gilding, their nimble wings outstretched to reveal the fluffy
                                       pinkish-white feathers on the underside of their bodies, extending to a trailing
                                       two-feathered tail in matching colours patterned with circular motifs, their crested
                                       heads supported on long necks with billowing plumes, curling backwards towards
                                       a cluster of large frilly-edged peony blooms, the realistically painted flowers
                                       rendered in shades of rose-pink and aubergine, supported on fresh stems with
                                       abundant foliage in two shades of green, the blue-enamelled four-character reign
                                       mark cleverly enclosed within a budding bloom, the fluted neck embellished with
                                       dianthus florets suspending jewelled pendants, all reserved on a rich imperial
                                       yellow ground save for the interior and base exposing the translucent vitreous
                                       material
                                       18.2 cm, 7⅛ in.

                                       Estimate Upon Request








                                       PROVENANCE
                                       Collection of Yixin, the first Prince Gong (1833-1898), by repute.
                                       Collection of Abel W. Bahr (1877-1959), Shanghai.
                                       Collection of Paul (1902-1987) and Helen Bernat, Brookline, Greater
                                       Boston, Mass.
                                       Sotheby’s Hong Kong, 15th November 1988, lot 75.
                                       Sotheby’s Hong Kong, 29th October 2000, lot 2.
                                       EXHIBITED
                                       Qingwan Yaji nianzhou nianqing shouzang zhan/Ching Wan Society
                                       Twentieth Anniversary Exhibition. Works of Art, Taipei, 2012, cat. no. 73.
                                       LITERATURE
                                       Sotheby’s Hong Kong – Twenty Years, 1973-1993, Hong Kong, 1993, pl.
                                       430.
                                       Sotheby’s. Thirty Years in Hong Kong, Hong Kong, 2003, pl. 439.
                                       Geng Baochang, ‘Ya qi tian cheng/Qingwan Yaji zhencang taociqi
                                       duoying [Refined works made in Heaven. Highlights of ceramics
                                       collected in the Ching Wan Society]’, Ching Wan Society Twentieth
                                       Anniversary Exhibition. Works of Art, Taipei, 2012, p. 15, no. 73 (detail).
                    Mark




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