Page 10 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008
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Figure 11a. Detail of flag bearing the phrase “yuyao chang,” (imperial kiln) on vase,
                       circa 1796-1820...................................................................................................... 192

                       Figure 12. Daoguang period large porcelain plate. Underglaze blue and white with
                       Jingdezhen imperial kiln production process decoration. Beijing Capital Museum.. 193

                       Figure 12a.Detail showing Daoguang period large porcelain plate, flag with characters
                       “yuyao chang,” (imperial kiln) shown. Beijing Capital Museum............................. 194

                       Figure 13. Export painting set of porcelain production. 24 leaves, 7 shown, watercolor
                       on paper, 1770-1790. Victoria and Albert Museum................................................. 195

                                                             Chapter 4

                       Figure 1. Cover of Tao Ya edition with the seal-script style calligraphy of Zhu Deyi.
                       National Palace Museum (Taipei)........................................................................... 238

                       Figure 2. Liu Jiaxi inscription of title page using another title, Guci huikao, for Tao Ya,
                       1923. Percival David Foundation of Chinese Art.................................................... 238

                       Figure 3. Edition of Tao Ya printed under the aegis of the Shanghai Society for
                       Research on Antique Porcelain (Shanghai Guci yanjiu hui). Percival David Foundation
                       of Chinese Art........................................................................................................ 239

                       Figure 4a. Advertisement for Tao Ya, Jingdezhen Tao lu, and Yinliuzhai shuo ci by
                       publisher Zhaoji shuzhuang. Percival David Foundation of Chinese Art................. 240

                       Figure 4b. Edition of Tao Ya (mid-1920s) by publisher Zhaoji shuzhuang. Percival
                       David Foundation of Chinese Art. .......................................................................... 240

                       Figure 5. Da Ming (Great Ming) Wanli mark.......................................................... 241

                       Figure 6. Da Ming Jiajing mark.............................................................................. 241

                       Figure 7. Da Ming Zhengde mark........................................................................... 241

                       Figure 8. Da Ming Xuande mark. ........................................................................... 241

                       Figure 9. “Great Qing Kangxi” mark on famille verte dish...................................... 242

                       Figure 10. “Great Qing Yongzheng” mark and pair of yellow-glazed bowls.  ......... 242

                       Figure 11. Qianlong mark for a covered jar with doucai glaze decoration............... 242







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