Page 7 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008
P. 7
LIST OF FIGURES
Chapter 1
Figure 1. Cover and Academia Sinica Supplement, to the Chinese Organizing
Committee’s catalogue of objects sent to London, 1935. Percival David Foundation
of Chinese Art........................................................................................................70
Figure 2. Actual letter accompanying catalogue given by Wang Shijie to Oscar
Raphael. Fitzwilliam Museum Reference Library, Cambridge, UK......................... 70
Figure 3. Guo Baochang (right) standing in the garden of John C. Ferguson’s (left)
home in Beijing, April, 1937. Freer Gallery of Art and Arthur M. Sackler Archives. ..
............................................................................................................................... 71
Figure 4. Route map from Zhuang Yan, Shantang qingyu (Taipei: Gugong bowu
yuan, 1980), 153. ................................................................................................... 72
Figure 5. Map of Gallery Layout. .......................................................................... 72
Figure 6. Guo Baochang’s privately printed Ciqi gai shuo. Percival David Foundation
of Chinese Art. ...................................................................................................... 73
Figure 7. Guo Baochang inscription in gift of Ciqi gaishuo to George Eumorfopoulos,
April, 1935............................................................................................................. 74
Figure 8. Guo Baochang’s hand-written inscription on first page of Ciqi gaishuo
given to Percival David, April, 1935. ..................................................................... 74
Figure 9. List of lectures from the Royal Academy of Arts. ................................... 75
Figure 10. Cover of translation to Guo Baochang’s Ciqi gaishuo. ..........................75
Figure 11. Top: Cover of Guo Baochang and Ferguson’s Noted Porcelain of
Successive Dynasties.
Bottom: added portrait of the supposed author and illustrator of the catalogue, Ming
dynasty collector Xiang Yuanbian.......................................................................... 76
Figure 12.
Top: Copy of two albums of the Xiang catalogue: one with notes and one without
notes by Guo and Ferguson.
Bottom: example of the notes in preparation for annotation. Percival David
Foundation of Chinese Art......................................................................................77
vii
