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Figure 13. Picture of Guo Baochang’s forty-volume personal porcelain collection
catalogue. ..............................................................................................................78
Figure 14. Decorative stand on which Guo placed ceramic pieces.......................... 79
Figure 15. The “duobao che” (car of many treasures). ........................................... 79
Chapter 2
Figure 1. Title page of second edition of Jingdezhen Tao lu, 1870. Shanghai Museum
library. ................................................................................................................... 133
Figure 2. Top: 1891 Jingdezhen Tao lu woodblock illustration - collecting the clay
(qutu)
Bottom: 1925 Jingdezhen Tao lu Zhaoji edition with new illustration – collecting the
clay (qutu)............................................................................................................. 134
Figure 3. Stephen Bushell, Oriental Ceramic Art, 1896. First edition, limited to 500...
............................................................................................................................... 135
Figure 4. Example of black-and-white photographs in Stephen Bushell, Oriental
Ceramic Art, 1896.................................................................................................. 135
Figure 5. Full-page chromolithographic plates in Oriental Ceramic Art, 1896.
10 v. in 5 portfolios; 116 plates; 60 & 25 cm. ......................................................... 136
Figure 6. Last plate in Stanislas Julien’s French translation, 1856, depicting China......
............................................................................................................................... 137
Figure 7. First plate, “Collecting the clay,” in Julien, Histoire et Fabrication de la
Porcelaine chinoise, 1856, showing compressed vertical scene. ............................ 137
Figure 8. Inscription page signed at Tokyo Museum, in the Japanese translation,
Keitokuchin tô roku, 1907....................................................................................... 138
Figure 9. Last page of Temmioka Tessai’s handwritten preface to Keitokuchin tô roku,
1907....................................................................................................................... 138
Figure 10. Tiangong kaiwu woodblock illustrations: making tiles, making bricks,
removing tiles from moulds.................................................................................... 139
Figure 11. First two woodblock illustrations in Jingdezhen Tao lu (1891[1815]), in
order from top to bottom. ....................................................................................... 140
Chapter 3
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