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235

th
th
of Jingdezhen Painted Porcelain during the 17 to 20 Centuries] Nanchang (Jiangxi
meishu chubanshe, 2002).

60 Brush and Clay (1990), 62-63.

61 Wu Zongci ю֚ฉ, Jiangxi tongzhi gao ϪГஷқᇃ [General Gazetteer of Jiangxi
Province] (Nanchang: Jiangxi sheng bowuguan, 1985), volume 21, reprinted in Li Keyou
ҽ߅ʾ and Wu Shuicun 吴˥π, eds., Guci jianding zhinan ̚ନᛠ֛ܸی [Guide to
Expertising] (Beijing: Yanshan chubanshe, 1992), 157-190.

62
Liu Zifen, Zhuyuan taoshuo, in Sun Yan, ed., Guci jianding zhinan̚ନᛠ֛ܸی
[Guide to Expertising] (Beijing: Yanshan chubanshe, 1993), 93-94; Tao Ya, juan xia, 45.

63
Jiang Siqing (1936), 197.

64 Southeast Asian Ceramic Society, Nonya Ware and Kitchen Ch'ing: Ceremonial and
Domestic pottery of the 19th-20th Centuries Commonly Found in Malaysia (London:
Distributed by University of Oxford Press, 198 1). I am grateful to the librarian at the
Asian Art Museum for this reference.

65
Theodore Hermann, An Analysis of China's Export Handicrafts to 1930, unpublished
Ph.D. dissertation, University of Washington, 1954, 209-11.

66
Adam Mckeown, “Global Migration, 1846-1940,” Journal of World History 15.2 (June
2004): 155-189.

67 Tao Ya, Self-Preface.

68
Tao Ya, juan shang, 18: ීී੕ॽf̻͛ʊӶfၬྡྷᅖઈf௛ՐޮᗵfჃׂ݂ړf
ϵೌ̙ႭfዹϤਜਜ଻၅fίତί˰ޢʕf͵఻఻˷೮峯ி฽f౶͵ԯശɚɤ༱ʘ
ᑛϞה੻ɰf

63 Tao Ya, juan shang, 9: ֲɿܝfה̈ʞ੹༾،ʘᆵ盌ޟྫ

70 Ibid, 9: Ϟࣹྼɞؕၢ׵،ɪ٫f॰ᄆ͵ޟ钜fཀ،ථ٫fІϤࠦ˸༺׵־ࠦf

،฀޴ஹfڀ໢޴᙮ʘፗfޫའ͍֜窰ɰfࣹྼ虽ശഫfϾӺˇࠬሳf༰ʘᙿ໧ൃ
ʘপ盌fכߎᜃࣹʘ؎ဿf€ɧ٫༸Έ窰ʘཀ،٫ɰɦϞቢ۩ʘࣿfܵˢߎૠᘃ
ᚳའ͍،盌fۆɦІ࿗ҖᔁӶf

71 For the first instance of the phrase imperial taste in relation to the looted objects, see
Lawrence Archer, “Chinese Porcelain, particularly that of the Ta Ming Dynasty,” Art
Journal (1875), 241 quoted in Stacey Pierson, Collectors, Collections and Museums