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13 Xu Zhihengʘፅ Yinliuzhai shuociභݴᓈႭନ [Yinliuzhai on Porcelain] in Sang
Xingzhi et al. (1993).
14
See the preface of the 2006 edition of Wu Renjingюʠ᎑, Zhongguo taoci shi ʕௗ
ନ̦ [History of Chinese Ceramics] (Guangzhou: Tuanjie chubanshe, 2006 [1936]).
15
Wu Renjing, Zhongguo taocishiʕௗନ̦ [History of Chinese Ceramics] (Shanghai:
Shangwu yinshuguan, 1936), 78.
16
Jiang SiqingϪܠ, Jingdezhen ciye shi ౻ᅃᕄନุ̦ [History of Jingdezhen
Ceramic Industry] (Shanghai: Zhonghua shuju, 1936), 93-94, and 97.
17 Geoffrey Sayer, trans., Tao Ya: Or, Pottery Refinements, Being a Translation with
Notes and an Introduction (London: Routledge, 1959).
18
Lydia Liu, Translingual Practice: Literature, National Culture, and Translated
Modernity-China, 1900-1937 (Stanford: Stanford University Press, 1995). Michael
Sullivan, “Review,” The Burlington Magazine, 103: 704 (Nov., 1961): 472-472.
19 Yutaka Mino and Katherine R. Tsiang, Ice and Green Clouds: Traditions of Chinese
Celadon (Indianapolis: Indianapolis Museum of Art, 1987).
20 “Mr. William Laffan,” The Burlington Magazine for Connoisseurs, 16:81 (Dec., 1909):
124-124.
21
Tao Ya, Original First Preface.
22
Tao Ya, Original First Preface.
23 Tao Ya, Author’s Preface.
24
Tao Ya, Second Original Preface: ੰའ৻ɧಃႡЪʘ҃ਃ ேᘆԑ˸ɪથϡᅁᏀʞ
ݲ ʔϞՙ್̙௩٫.
25
Tao Ya, Second Original Preface.
26
Tao Ya, Second Original Preface, and Tao Ya, juan shang,18: ശନڿഒΌଢfϾശɛ
ڋʔٝՉ̙ᘒfݫॆהፗ໋ʔІ໋f͏ೌঐΤ٫ɰf
27 Tao Ya, juan xia, 312: ධɿԯନኜྡႭf为Гɛהࠠf绘Ϟߵ国˖ο. The
illustrated album was authored by Xiang Yuanbian (alternative name Zijing which is used
in the text of Tao Ya), the famous art collector of the Ming dynasty, whose catalogue and
text on porcelain will be discussed below.