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           A RARE SILK AND METAL-WRAPPED THREAD EMBROIDERED
           PANEL OF GUANYIN AND ATTENDANTS
           Early Qing dynasty
           Embroidered in satin stitch with silk floss to portray Guanyin beneath
           a celestial canopy strung with fluttering knotted ribbons, seated
           in lalitasana on a recumbent mythical beast, the right hand held in
           karanamudra, the left hand resting on a stack of sutras, the face with a
           solemn expression given a three-dimensional effect by the batting-filled
           nose, the attendants Longnu and Shancai standing to the left and right
           respectively, Longnu holding the darkness-dispeling pearl and Shancai
           with hands clasped in anjalimudra, all the figures depicted on a terrace
           between a lotus pond and a balustrade, Guanyin’s vase bearing stalks
           of willow and the filial parrot each resting on the top of one balustrade
           post on either side of the central figure, some details outline with
           metal foil-wrapped threads, mounted with pale blue silk borders with
           reinforced backing.
           36 1/2 x 16 5/8in (92.7 x 42.2cm)

           US$20,000 - 30,000

           清初 刺繡觀音圖掛屏

           Provenance
           Reverend Dr. Adolph H. Behrenberg (1914-1977), Metuchen, New
           Jersey
           Aalten’s Orange Auction Galleries, East Orange, N.J., Estate sale of Dr.
           Adolph Behrenberg, 12 March 1978, lot 358
           Estate of Sydney L. Shaper

           來源
           新澤西州Adolph H. Behrenberg 醫生牧師(1914-1977年)珍藏
           新澤西州Aalten’s Orange Auction Galleries,Adolph H. Behrenberg 醫
           生牧師珍藏拍賣,1978年3月12日,拍品編號358
           Sydney L. Shaper 舊藏

           Guanyin is the most popular Buddhist deity in China, and according to
           the Lotus sutra, Guanyin can take any form necessary to save sentient
           beings. Thirty-three forms are mentioned in the sutra, but this particular
           grouping of Guanyin with Longnu and Shancai, accompanied by the
           filial parrot has no basis in Buddhist scripture but instead finds its
           roots in numerous precious scroll narratives, folk tales and legends
           concerning Guanyin.

           In the Chinese Mahayana tradition, it is believed that the two acolytes
           each represent one of the important sutras of that tradition. Shancai
           personifies the Avatamsaka Sutra, while Longnu represents the Lotus
           Sutra. The parrot represents the most important of Chinese virtues,
           filial piety, and appears in the Yingge Baozhuan (The Precious Scroll
           of the Parrot). Guanyin’s vase is believed to hold the elixir of life and
           the willow with its evil dispelling properties is used to sprinkle the elixir
           when Guanyin dispenses blessings.

           Such Chinese folk tales surrounding Guanyin were so popular that
           elements from these folk tales made their way into the popular
           iconography of Guanyin.

           A Late Ming dynasty example depicting a Daoist deity seated
           beneath a celestial canopy and flanked by two attendants was sold at
           Sotheby’s London, 6 November 2019, lot 345.       83







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