Page 41 - Chinese Porcelain Vol II, Galland
P. 41

MING.                       281

               not       so              as in the next, show
       dynasty,    being   highly glazed                    up
       better in the  photographs,  and are thus seen to  greater  advan-
           than in       is warranted  by  the    of the
       tage       reality                  quality      pieces.
                                Blue and White.
                      Kea-tsing
          Thanks to Mr. Burman, who  acquired  this  piece  in  Shanghai,
       we have in No. 492 an excellent  example  of the blue and white
       of this  period.  If not so  highly glazed  as in the next  dynasty,
       the colour of the  paste  is  good,  as also the blue, while there is
       little to find fault with in the        This
                                     drawing.       jar (height,
       20  inches)  shows that  they  were then  capable  of  turning  out
                   as stated   Chinese writers, for there seems no
       large pieces,        by
       reason to doubt the  genuineness  of the mark as seen on the
       neck.  The decoration consists of five-claw       in  the
                                                dragons
       midst  of  a  lotus  scroll-work, while  the  character which
       the reader will notice in the middle of a       seems to
                                               pattern
       indicate that it was made for one of the Mohammedan markets,
       most  probably Persia, where  they  do not  appear  to have been
       so strict as to  object  to decoration of this sort.  The base of
       this  piece  is  unglazed.
                                       "
          At    71 Mr. Monkhouse  says  :  The      soft but rich
             p.                             peculiar
       quality  of the  '  Mohammedan  '  blue, as it was called, and the
       boldness of the decoration, are        its most
                                      perhaps         delightful
       qualities."  And in the  Burlington  Fine Art  Catalogue, p.  xvii. :
       "
         Powerful as the colour  is, and never flat or dead, we miss
       that charm of modulation, the        in          and the
                                    delight   gradation,
       palpitating quality  of colour which we find in later work."
       This is to a
                  great  extent correct, but as the same author states,
                "
        at  91  :                the later   of the
          p.     Certainly during        part      Ming dynasty
        at least two tints were used on the same
                                            piece."
                       LUNG-KING, 1567-1573.
        THIS short  reign  seems to be included  along  with the fol-
        lowing period by  Chinese writers, so  probably  its  productions
        exhibited no        feature.  In       there seems to be
                    special            Europe
        only  one instance recorded of the mark  having  been met with.
        In the Journal  the      Oriental
                     of   Peking         Society) p. 99, Dr. Bushell,
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