Page 7 - Bonhams, Images of Devotion, April 21 2021
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           A GILT LACQUERED AND POLYCHROMED WOOD             Published
           MANUSCRIPT COVER CARVED WITH A KAGYU LAMA,        David Weldon and Jane Casey Singer, The Sculptural Heritage of
           SHADAKSHARI LOKESHVARA, SHAKYAMUNI BUDDHA,        Tibet: Buddhist Art in the Nyingjei Lam Collection, London, 1999,
           PRAJNAPARAMITA, AND GREEN TARA                    pp.57 & 60.
           TIBET, CIRCA 13TH CENTURY                         F. Ricca, Arte Buddhista Tibetana: Dei e Demoni dell’ Himalaya, Turin,
           Himalayan Art Resources item no.68422             2004, fig.IV.72.
           29 x 74 cm (11 3/8 x 29 1/8 in.)
                                                             Exhibited
           HKD250,000 - 350,000                              The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam
                                                             Collection, Ashmolean Museum, Oxford, 6 October–30 December
                                                             1999.
           西藏 約十三世紀 彩繪漆金木質護經板                                Arte Buddhista Tibetana: Dei e Demoni dell’ Himalaya, Palazzo
           上有噶舉喇嘛、四臂觀音、釋迦牟尼、般若佛母及綠度母像                        Bricherasio, Turin, 18 June–19 September 2004.

           Beautifully carved in high relief, this rare manuscript cover depicts   Provenance
           Shakyamuni Buddha in the earth-touching gesture sitting within a   The Nyingjei Lam Collection 菩薩道收藏, acquired in the 1990s
           pillared shrine. To his right he is joined by Shadakshari Lokeshvara   On loan to the Ashmolean Museum, Oxford, 1996–2005
           and a lama from one of the early Kagyu orders of Tibetan Buddhism.   On loan to the Rubin Museum of Art, New York, 2005–2018
           To his left are Prajnaparamita and Green Tara. The retinue are all   (L2005.9.88)
           seated on colorful lotus thrones and meticulously carved with a level
           of detail normally afforded to standalone sculptures. They are adorned
           with beaded crowns, necklaces, and belts, with two of them wearing
           lavishly patterned dhotis. Most of the work’s original polychromy and
           gilding has also been preserved.

           The treatment of the lama closely resembles painted portraits created
           in Central Tibet during the 12th to 14th centuries. See a 12th-century
           double-portrait thangka as well as a c.1200 painting of Taklung
           Thasgpa Chenpo published in Kossak & Singer, Sacred Visions,
           New York, 1998, pp.76-7 & 91-3, nos.11 & 18. Also compare two
           slightly later polychromed manuscript covers, one formerly in the Ernst
           Collection (Sotheby’s, New York, 22 March 2018, lot 919), the other in
           the Maitri Collection (Bonhams, New York, 20 March 2018, lot 3211).


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