Page 12 - Bonhams, Images of Devotion, April 21 2021
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           A GILT AND POLYCHROMED COPPER REPOUSSÉ MANDALA    Published
           PANEL WITH INDRA AND KANHAPA                      Martin Brauen, Mandala: Sacred Circle in Tibetan Buddhism, New
           NEPAL OR TIBET, CIRCA 14TH CENTURY                York, 2009, fig.1.10.
           Himalayan Art Resources item no.68444             Franco Ricca, Arte Buddhista Tibetana: Dei e Demoni dell’ Himalaya,
           33 x 53.4 cm (13 x 21 in.)                        Turin, 2004, fig. IV.71.
                                                             David Weldon and Jane Casey Singer, The Sculptural Heritage of
           HKD120,000 - 160,000                              Tibet: Buddhist Art in the Nyingjei Lam Collection, London, 1999, p.75,
                                                             fig.46.

           尼泊爾或西藏 約十四世紀 彩繪銅鎏金錘揲因陀羅與噶那巴壇城飾板                   Exhibited
                                                             The Sculptural Heritage of Tibet: Buddhist Art in the Nyingjei Lam
           Once a part of the eastern quadrant of a glorious sculptural mandala,   Collection, Ashmolean Museum, Oxford, 6 October - 30 December
           this fine Newari red and gold repoussé panel depicts two scenes   1999.
           divided by the mythical Great Tree, Shirisha. On the left, Indra,   Arte Buddhista Tibetana: Dei e Demoni dell’ Himalaya, Palazzo
           propitiated by a serpent king and queen, sits on his elephant, Airavata.   Bricherasio, Turin, 18 June - 19 September 2004.
           On the right, Mahasiddha Kanhapa rides a zombie in the charnel   Mandala: The Perfect Circle, Rubin Museum of Art, New York, 14
           grounds, assisted by broad-bellied Acala. The panel’s bands of finely   August 2009 - 11 January 2010.
           articulated flames, vajras, and lotus petals form protective rings that   Mandala: Scared Circle in Tibetan Buddhism, Michael C. Carlos
           are common to tantric Buddhist mandalas.          Museum, Emory University, Atlanta, 21 January - 15 April 2012.

           While it is possible that this great mandala could have been   Provenance
           commissioned and produced in Tibet, the panel’s fine repoussé   The Nyingjei Lam Collection 菩薩道收藏
           and pigmented background indicate the work of a Newari master   On loan to the Ashmolean Museum, Oxford, 1996–2005
           craftsman. So too, does its classic Newari representation of Indra,   On loan to the Rubin Museum of Art, New York, 2005–2019
           with his lithe pose and broad diadem. A closely related pair of Newari
           repoussé plaques from the same period were sold at Bonhams, New
           York, 14 March 2016, lot 13.



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