Page 9 - Fine Chinese Modern and Contemporary Paintings July 8th, 2020 Hong Kong
P. 9

1004
            LUI SHOU KWAN (LÜ SHOUKUN, 1919-1975)
            Fishing Port
            Scroll, mounted and framed, ink and colour on paper
            92.5 x 47 cm. (36 ¡ x 18 Ω in.)
            Inscribed and signed, with two seals of the artist
            One collector’s seal of the artist’s wife Mui Sin-Ping
            Dated sixth month, guimao year (1963)
            NOTE:
            The painting is accompanied by a certificate issued by
            artist’s family.
            HK$300,000-600,000        US$38,000-77,000
            呂壽琨     漁港     設色紙本     鏡框     一九六三年作
            題識:癸卯(1963年)六月,呂壽琨寫。
            鈐印:呂壽琨印、譽虎
            呂壽琨夫人梅倩萍鑑藏印:梅倩萍藏
            註:本作品附有藝術家家人簽署的證明書。









            Lui Shou Kwan’s love for the sea is noted in many of his
            paintings, from paying tribute to J. M. W. Turner in Storm
            in 1946 to the prolific body of works depicting the Hong
            Kong harbour, such as  Aberdeen in 1963. This can also
            be attributed to his vicinity to the sea, as Lui worked at
            The Hongkong and Yaumati Ferry Company from 1949
            to 1966 as an inspector. In  Fishing Port, Lui portrayed a
            quaint scene of fishing junks mooring at a typhoon shelter,
            during the time when fishing was still the livelihood of
            many in Hong Kong.
            呂壽琨的許多作品表現了他對海的鍾情,早至 1946 年
            就為致敬透納創作了《駭浪驚濤》,  之後有眾多作品描
            繪香港的海景,包括 1963 年創作的《香港仔》。呂壽
            琨 1949 至 1966 年間於香港油麻地小輪公司擔任稽查員,
            由於他在碼頭工作,每天觀察海港,這成為他描繪大海
            的靈感來源。在《漁港》一作中,眾多漁船停留在避風
            港內,畫面複雜但構圖平衡而饒有趣味。那時的香港,
            漁業仍是許多人賴以為生的職業,是一個時代的縮影。
                                                                                    1004









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