Page 96 - Fine Chinese Modern and Contemporary Paintings July 8th, 2020 Hong Kong
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PROPERTY FROM A PRIVATE ASIAN COLLECTION   亞洲私人收藏   (LOTS 1090)



          1090
          ZHANG DAQIAN (1899-1983)
          Pine Trees and Clouds in Mount Huang
          Scroll, mounted and framed, ink and colour on paper
          57.5 x 102 cm. (22 ¬ x 40 ¿ in.)
          Entitled, inscribed and signed, with four seals of the artist
          Dated third day of the fourth month, gengshen year (1980)
          NOTE:
          This patterned paper was manufactured according to the
          technique and craftsmanship from the Song Dynasty and was
          specially made for Zhang Daqian in Japan.
          HK$3,000,000-6,000,000      US$390,000-780,000

          張大千     黃山松雲     設色紙本     鏡框     一九八〇年作
          題識: 黃山松雲。
              庚申(1980年)夏四初三日,摩耶精舍寫,爰翁。
          鈐印: 大千居士、張爰、大千豪髮、已亥己巳戊寅辛酉
          註:此紙張為張大千於日本訂製之仿宋羅紋紙。




























          Mu Xi (Southern Song, 13th century), Fishing Village at Sunset
          (detail), collection of Nezu Museum, Tokyo Japan.
          南宋 牧溪,《瀟湘八景·漁村夕照》(局部),日本東京
          根津美術館藏。





          “The Five Famous Mountains may transcend peaks elsewhere, but Mount   Painted  in  Zhang  Daqian’s  later  years,  Pine Trees  and  Clouds  in  Mount
          Huang tops even those.” Among his visits to famous mountains around the   Huang  exhibits  Zhang’s  characteristic traits during  this  period.  Besides
          world, Zhang Daqian was only ever fond of Mount Huang, as expressed   silhouetting  the  peaks  with  a  thick  brush,  Zhang  relays  their  intricate
          in his countless paintings of the rugged marvel.  While attributable to his   veins and rocky texture through applying ink of varying dampness. It
          early instruction in landscape painting after Shitao, Hongren and Mei   is believed that Zhang was inspired by the works of Southern Song
          Qing – all of whom were part of the Huangshan School of Painting –   Buddhist Monk Mu Xi, where such minimalistic and light strokes were
          Zhang’s lifelong enjoyment of mountains commenced with his first visit   used (see illustration). As the mountains merge into the backdrop, Zhang
          to Mount Huang.                                    portrays the vast sea of clouds with wispy ripples in the blank spaces.
                                                             Majestic and visionary, the metamorphosis of Mount Huang, from soaring
                                                             summit to swirl of sapphire and jadeite ink, astounds and awes.



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