Page 116 - 2020 September Fine Chinese Paintings and Works of Art, Bonham NYC
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           LI SHIDA (1550-1620)
           Scholar with Attendant under a Pine Tree, 1615    The Suzhou artist Li Shida passed the jinshi examinations in the
           Ink and color on paper, hanging scroll, inscribed with verse in clerical   second year of the reign of the Wanli Emperor (1574). On the painting,
           script and dated Wanli yimao, signed Li Shida, with two artist’s seals Li   the artist’s inscription in clerical script records the words of the Tang
           Shida yin and Tongfu, with seven collectors’ seals on the painting, Cao   dynasty poet Wang Wei: “Asking the age of the pine/ Bamboo forests
           Zhongying yin, Zhiqin shending, Bohai Xu shi jianshang shuhua yin,   are everywhere”, and reinforces the artist’s erudition. Li Shida did not
           Gao Shiqi tushu ji, Pang Zhige taocang yin, shiweng jingyan, Shenan   begin painting until late in life, with his earliest dated painting recorded
           Hangfu Cao shi Guoyunlou jiangcang jinshi shuhua yin, additional   at 1601. In his later years he lived on a promontory at Shihu in Suzhou.
           collector’s seals on the mounting, Zidezhai Futian Mao suocang yin   A similar late work in the collection of the University of Michigan
           (2), and with a titleslip mounted next to the painting signed Cai Youshi,   Museum of Art, Ann Arbor titled “The Hermit Tao Yuanming Enjoying
           followed by one seal reading Cai Youshi pingsheng zhenshang; with a   Chrysanthemums” (1619) compares favorably with the present lot.
           wooden box, bearing an inscription on paper attached to the inside of
           the cover, reading Li Shida laosong zhulin tu and a seal Zidezhai Futian   The numerous collector’s seals on the painting and accompanying
           Mao suocang yin, the same seal appearing on the two ends of the   mount point to the fact that the painting was a treasured possession
           wooden box cover.                                 of a number of prominent collectors over the centuries. One of
           54 1/2 x 18 3/4in (138.5 x 47.5cm)                the earliest collectors’ seals on the painting ties the work to the
                                                             collection of the famed collector and connoisseur Gao Shiqi (高士
           $40,000 - 60,000                                  奇, 1645-1703). Another seal on the painting--Pang Zhige taocang
                                                             yin--indicates the painting was likely in the collection of Pang Zeluan (
           李士達 松竹人物 設色紙本 立軸 一六一五年作                           龐澤鑾, 1868-1916, courtesy name Zhige 芝閣). Pang Zeluan was an
                                                             avid collector and connoisseur of epigraphic calligraphy. Two other
           Provenance                                        seals, Zhiqing and Bohai Xu shi jianshang shuhua yin, belong to the
           Far East Fine Arts, San Francisco, California     painting and calligraphy collector Xu Zhiqing (許質卿). The title slip
           Christie’s, New York, Fine Chinese Paintings, 1 December 1986, lot 44   on the mounting, signed Cai Youshi, was written by Cai Shisong (蔡
                                                             世松, ?-1843), a native of Nanjing, known for his calligraphy, and he
           來源                                                published Moyuantang cangzhen.
           舊金山遠東藝術畫廊
           紐約佳士得,1986年12月1日,拍品編號44

























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