Page 102 - Christie's, Important Chinese Works of Art December 2, 2015 HK
P. 102

An Imperial Kesi Longgua

     John E.Vollmer

                                                                             fig. 1

     For imperial women during the Qing dynasty, the longgua or              beloved mother, the Xiaoshengxian Empress Dowager who died
     dragon jacket/coat, was an integral part of court attire, signaling     in 1777. The consort of the Jiaqing emperor (r. 1796-1820), the
     status and rank. The longgua was worn over a dragon-patterned           Lady Hitara (1760-1797), would not have been entitled to wear
     jifu, or auspicious robes, for official, but semi-formal occasions      such a garment until she became the Xiaoshurui empress on the
     at court. The jacket obscured everything except for the lower           ascension to the Dragon Throne by her husband when Qianlong
     sleeves and cuffs of the jifu.This present style of longgua featured a  ‘retired’ in 1796.The Xiaoshurui empress was the birth mother of
     lishui, or standing water, border along the hem which would have        Jiaqing’s son and successor, the Daoguang Emperor (r.1821-1850),
     matched an inner robe worn underneath. For the higher-ranking           but died barely a year since becoming an empress. However, it is
     women there was a second style of longgua decoration identical to       possible that the garment may have been intended for the Jiaqing
     the first but lacked a design of the lishui border. In this instance,    emperor’s second consort Lady Niuhuru (1776-1850) whose el-
     the dragon robe worn under the second style surcoat would not           evation to the rank of Xiaoherui empress was deferred until 1801
     have included a lishui along the hem.                                   shortly after the death of the retired Qianlong emperor in 1799.

     The Qing imperial wardrobe was codified by an edict of 1759.1            Regardless of the intended wearer of this garment, it is among the
     It designated a full-length dark coloured surcoat with eight-           rarest of Qing dynasty garments with only a few surviving exam-
     dragon roundels as the garment to celebrate the status of high-         ples remaining in the collection of the Palace Museum, Beijing.3
     ranking women of the emperor’s household. The five clawed long
     dragons and the presence of special symbols of imperial authority       1 Dickinson, Gary and Linda Wrigglesworth. Imperial Wardrobe. Berkeley, California:
     at the shoulders (sun disc with the three-legged cock at the right      Ten Speed Press, 2000, p. 186-187, pl. 170 (illustration from the Huangchao liqi tushi,
     shoulder (fig. 1) and moon disc with the rabbit pounding the             or Regulations for the Ceremonial Paraphernalia of the [Qing] Court, longgua for a
     elixir of immortality at the left (fig. 2)) would have identified the     first-rank imperial consort).
     wearer of the present coat as one of the highest-ranking women          2 Yan Yong and Fang Hongjun, The Splendors of Imperial Costume: Qing Court Attire
     at the imperial court such as the emperor’s mother, the empress         from the Beijing Palace Museum [Tianchao yiguan: Gugong bowuyuan cang Qingdai
     dowager, or the emperor’s principal consort (the empress).2 As          gongting fushi jingpinzhan] Beijing: Palace Museum, 2008, no. 107 (longgua with
     might be expected, the quality of the silk and metal-wrapped            four of the symbols of imperial authority dated to the reign of Qianlong).
     thread tapestry weave (kesi) of this garment is exceptional. Be-        3 See: Hong Kong Museum of History and the Palace Museum [Gugong bowuyu-
     cause of these factors, it is possible to speculate about the identity  an]. Splendours of Royal Costume: Qing Court Attire [Guo cai chao zhang: Qing dai
     of its intended wearer.                                                 gong ting fu shi], (exhibition catalogue). Xianggang: Kang le ji wen hua shi wu shu,
                                                                             2013, no. 107, p 130-131 (longgua dated to reign of Kangxi).Palace Museum, Beijing.
     Stylistically the coat can be dated from the last quarter of the        Gugong bowuyuan cang wenwu zhenpin quanji 51: Qingdai gongting fushi (The Complete
     eighteenth century. At the time when the fabric for the present         Collection of Treasures of the Palace 51: Costume and Accessories of Emperors and
     garment was commissioned by the Imperial Household Depart-              Empresses of the Qing Dynasty). Hong Kong: The Commercial Press Ltd., 2005, pl.
     ment for the palace wardrobe, the principal consorts of the Qian-       76, p. 121 (longgua dated to the reign of Qianlong); pl. 80 , p. 130 (longgua dated to
     long emperor (r. 1736-1795) had passed away, as had Qianlong’s          the reign of Jiaqing); pl. 88, p. 143 (longgua dated to the reign of Guangxu).

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