Page 166 - Christie's, Important Chinese Works of Art December 2, 2015 HK

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Compare the very similar bowl dated to the same year in the Victoria ˬ㠭剙刚ᶵ⤾炻ἃㇳ楁ᶼ㻼ˤ㜦⮎␛剛儜炻ᶱ⑩㬲㶭䳽ˤ䂡
and Albert Museum, illustrated by Garner, Chinese Lacquer, London, ẍ㉀儛揢炻㰫ᷳ㈧䫸暒ˤ䀓῁彐欂垡炻溶䄁徕倚㹭ˤ崲䒴
1979, pl. 93. Another bowl bearing a similarly dated inscription, also 㻹ẁḛ炻㮰䚏怑䥒〭ˤḼ喲㶐⣏⋲炻⎗ぇᶵ⎗婒ˤ楍楍℄伭
with the same decoration, but of more compressed shape and with 怆炻㳣㳣暚㻧㼰ˤ㒂ἢ怢⎗梸炻㜿徳岆㗪⇍ˤ㆞冱嵁ⶆ㟰炻
a band of key-pattern scroll encircling the foot, is in the Asian Art 枿䪹䌱ⶅ嫶ˤ⭺⭝倥埴㺷炻⎌㚰䚳ㆠ䍎ˤ梚梥崩⸦ἁ炻㔚⏇
Museum, San Francisco, illustrated in Hai-Wai Yi-Chen (Chinese Art in 冯䃉䪕ˤḦ昮᷁⭭⮷㗍⽉柴ˤ˭憸ˬḦ˭ˣˬ昮˭䭮㚠⚻ˣ
Overseas Collections), ‘Lacquerware’, Taipei, 1987, no. 171. 㕡忋䎈Ḵ⮷䪈ˤ㬌娑䁢Ḧ昮䘯ⷅ㕤Ḧ昮⋩ᶨ⸜炷1746炸䥳ⶉ
The same design was also reproduced in other media including in blue Ḽ冢Ⱉ炻⚆䦳军⭂冰忯暒炻㕤㮰ⷛᷕẍ暒㯜䂡䄖ᶱ㶭勞㗪㇨
and white or iron-red on porcelain bowls. See the blue and white bowl of ἄˤ
similar shape with Qianlong mark, included in the exhibition, Qing Mark
and Period Blue and White, S. Marchant & Son, London, 1984, no. 26. ẍ暒㯜㰫㠭剙ˣ㜦⮎ˣἃㇳ炻ℵ㲉ẍ漵ḽ勞炻媪ᷳᶱ㶭勞炻
㶙⼿Ḧ昮䘯ⷅ䘬曺䜆炻᷎䁢ᷳ岎娑炻⮯ᷳ揓⇣ㆾ䅺墥⛐勞䙴
䳘ⶅ⭞㕷䍵啷炻ℍ啷㕤1950⸜军1960⸜ẋ ᶲˤ⁛ᶾ⑩㚱䒟☐ˣ䌱☐ˣ㺮☐ᶱ⣏栆炻晾䃞㛸岒ᶵ⎴炻Ữ
⢢ᷕ⯭炻㜙Ṕ ⣏⮷ˣ忈✳ˣ墅梦⚾㟰ẍ⍲㫦嬀䫱悥➢㛔ᶨ农ˤḦ昮ⷅᷳ桐
晭䓙Ṿ䓐ⷞ㚱ᶱ㶭娑䘬䙴Ἦ⑩☸ᶱ㶭勞⎗夳ᶨ凔ˤṾ夷⭂㭷
䳘ⶅ嬟屆炻˪ᶨ⼿抬˫炻㜙Ṕ炻1982炻213枩炻⚾81 ⸜㬋㚰⇅Ḵ军⇅⋩ᷳ攻㑯⎱㖍⛐慵厗⭖冱埴勞⭜炻᷎㚫⮯ᶱ
㶭勞䙴岆岄冯⭜⣏冋ẍ䣢】℠ˤ
䙴㐯⎋炻⚰嵛炻⎋㱧⢾␴役⚰嵛嗽梦⤪シ暚柕ᶨ␐, ☐⡩晽Ḧ
昮䘯ⷅ岲娈ᶱ㶭勞䘬Ḽ妨娑烉

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