Page 28 - Chinese Export Porcelain Art, MET MUSEUM 2003
P. 28

a fine iron-red line.  Drawing  in thin red line and   28. Partial Tea Service. Chinese  (Dutch  market),  ca.  I740.   Hard  paste.
         wash  can be seen  in  export  porcelains  of   H. of milk  jug  with cover  (.3)  5/4 in.  (I3.3  cm).  Helena Woolworth McCann
                                                        Collection, Purchase,  Winfield  Foundation  Gift, I96I (61.64.I-.8)
         the  early  1700s  painted  with both Chinese and
         Western  subjects.  If  Jesuit  influence  is to be
                                                        There  is a distinct  stylistic  connection between  the decoration  the  'Arbor"plate
                                                                                                   of
          invoked in this context, it should  perhaps  be in
                                                        (fig.  27)  and this  design,  which has  been  uncertainly  attributed to Cornelis  Pronk.
          light  of the role of Father  Matteo  Ripa  (1682-1746),   Pronk was a  skillful  topographical  artist  andportraitist;  his known  workfor  the
         who at the  request  of the  Kangxi emperor  intro-   VOC is uncharacteristic his  manner,  and this  abstractpattern  even more so.
                                                                         of
                                                                                             to
                                                                 of
         duced the  technique  of  copper engraving  to the   No mention  it has  beenfound  in VOC  references  Pronk,  but he is known to
                                                        have made detail  drawings,  some  which  could  haveprovided  the  motifsfor  the
                                                                                of
          imperial  court, producing  in 1713 the first Chinese
                                                                                               design.  If
                                                                                    by
                                                        palmette,  diaper,  and  lappets,  all shared  the 'Arbor"   Pronk's  drawings
         engravings  of the  emperor's palace  at Jehol.
                                                        (sent  in  duplicate)  were in circulation in  Jingdezhen,  itpossible they  were used
                                                                                              is
         Penciled-or  grisaille-decoration  with both     a Dutch merchant  on his own account,  who revised Pronk's  motifs  to create a
                                                        by
         Chinese and  European  subjects began  to  appear   new  pattern?
          regularly,  with  differing  border  patterns,  toward
          1730.  Stylistically,  those  in a  freely  derived Du   Although  these  eightpieces  were  acquired  as an ensemble,  diferences in the  quality
          Paquier  manner are later,  associated with armori-   of  the material and the  painting  indicate  that  they  derivefrom  more  than one set.
                                                        The  same  pattern  exists  in a red and black  palette,  the  plates having  a variant
         als datable to the 1740s and  centering  around
                                                        design  of reversedpalmettes.
         examples  dated between  1750 and 1756. Labor
         intensive and, at its  highest  level of skill,  of



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