Page 188 - Bonhams Cornette Saint Cyr, Property from the estate of Jean-Pierre Rousset (1936-2021)
P. 188

77
                                                                              STATUE DE DIVINITÉ FÉMININE EN GRÈS
                                                                              Cambodge, style du Baphuon, XIe siècle
                                                                              A SANDSTONE FIGURE OF A FEMALE DEITY
                                                                              Cambodia, Baphuon style, 11th century
                                                                              She stands in samabhanga wearing striated
                                                                              sampot secured by a pattered belt knotted
                                                                              at the front while a fish-tail section falls
                                                                              downwards, naked upper body with well-
                                                                              defined breasts and incised bellybutton,
                                                                              stand.
                                                                              90cm (35 1/2in) high. (2).

                                                                              €20,000 - 30,000

                                                                              Provenance:
                                                                              Robert Rousset, Paris (1901-1981), acquired
                                                                              from Capital Antique, Bangkok, 7 July 1966
                                                                              Jean-Pierre Rousset, Paris (1936-2021)
                                                                              The designation of the female figure could be
                                                                              a representation of Prajnâpâramitâ embodying
                                                                              perfection of wisdom, mother of all Buddhas,
                                                                              entity of very high rank in the pantheon of the
                                                                              Mahayana Buddhism; or that of an attendant
                                                                              of the bodhisattva Avalokitesvara. The effaced
                                                                              section at the front of her hair bun suggests
                                                                              the presence of a small deity representing
                                                                              Amitabha is now missing, would suggest a
                                                                              designation of Prajnaparamita and repurposed
                                                                              to a Hindu deity.

                                                                              Compare two related stone figures of a female
                                                                              deity, one in the National Museum, Phnom
                                                                              Penh, illustrated by N.Dalsheimer, L’art du
                                                                              Cambodge ancien, 2001, p.132, no.56 and
                                                                              the other in the collection of the Metropolitan
                                                                              Museum of Art, see M.Lerner and S.Kossak,
                                                                              ‘The Arts of South and Southeast Asia’, The
                                                                              Metropolitan of Art Bulletin, vol.LI, no.4, 1994,
                                                                              fig.88, p.83.













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