Page 240 - Fine Japanese Art Auction November 2 2019 Galerie Zacke
P. 240

298  |  TESSAI: A RARE LACQUERED GIGAKU WOOD
 MASK NETSUKE OF GOJO
 By Kano Tessai (1845-1925), signed Tessai to with kao  Provenance: Peter E. Müller Mask Collection.
 Japan, early 20th century
 Kano Tessai (1845–1925) came from a Gifu family and started
 Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017,   his life as a Buddhist priest, though his father instructed him in
 no. 10.  the art of carving. He studied Chinese literature and drawing and
 was a professor at Tokyo art school in 1872. He was also on the
 examining committee for investigating the ancient art of Japan and
 An exact miniature portrait of the Gigaku mask of Gojo, also known   subsequently went to Nara where he engaged in the reproductions
 as the lady of Wu, as she represents a court lady from the Wu   of old objects of art, such as the present example. Gigaku was the
 kingdom (222-280). This mask was used in the play Konron. The   traditional music theatre, performed in silent mime, of the Japanese
 mask also very much resembles the ‘fat ladies’ of the Tang dynasty.   Court from the 7th to 10th centuries. Introduced in 612 from Korea,
 A central bridge forms the himotoshi on the underside, where also   Gigaku reached great popularity in the Nara period (710-794).
 the signature TESSAI ۾ᑚ to and kao is located. With original wood   Gigaku is a combination of Togaku, derived from China during the
 box, signed and sealed by the artist.  Tang dynasty, Komagaku from Korea, and original Japanese music.
 Kano Tessai was heavily engaged in a revival of ancient Japanese
 HEIGHT 3.6 cm  culture by emulating the patina and feeling of Gigaku masks in the
 form of his own miniature masterpieces.
 Condition: Excellent condition. The flaking of the lacquer is most
 likely on purpose, as Tessai was known to reproduce exact images   Estimate EUR 1.500,-
 of historical masks.   Starting price EUR 750,-










                     299  |  HOJITSU: A FINE IVORY AND LACQUER
                           MASK NETSUKE OF OKAME
                     By Meikeisai Hojitsu, signed Hojitsu
                     Japan, Edo/Tokyo, second half of 19th century
                     Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017,
                     no. 108.
                     Exhibited: Minneapolis Institute of Art, Netsuke: The Japanese Art
                     of Miniature Carving, 1998, no. 154.

                     Finely carved as the Shinto goddess Okame, gleefully laughing with
                     a high forehead and large round cheeks. Her mouth is lacquered
                     red and her hair is lacquered in black with finely incised lines. The
                     backside lacquered in gold with a central bridge in the shape of a
                     ribbon forming the himotoshi and signed HOJITSU ʑǮ inside a
                     rounded reserve.
                     HEIGHT 3.9 cm
                     Condition: Excellent condition.
                     Provenance: Peter E. Müller Mask Collection.

                     Literature comparison: A similar netsuke by Hojitsu is in the Tokyo
                     National Museum, illustrated in H. Arakawa, The Go Collection of
                     Netsuke, pp. 76-77, no. 129.
                     Estimate EUR 4.000,-
                     Starting price EUR 2.000,-










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