Page 80 - Fine Chinese Art Bonhams London May 2018
P. 80

A  RARE PAIR OF MONUMENTAL

                                                             POLYCHROME-GLAZED
                                                             BUDDHIST LIONS ON STANDS
                                                             Late Ming Dynasty, 16th/17th century


                                                             Dr Clarence Eng





















                                                             These splendid guardian lions should be visualised standing
                                                             protectively before a classical  temple-hall for which they were
                                                             commissioned. Glazed in a striking azure blue flecked with turquoise
                                                             and highlighted in yellow, they stand impressively tall, raised on
                                                             waisted pedestals to an overall height of over 200 cm (80in), well
                                                             over head-height. They are boldly modelled with authoritative but
                                                             lively facial demeanour which masks their robust form.

                                                             Guardian figures are thought to have arrived in China from
                                                             Central Asia in the Han dynasty (206 BC – 220 AD) to be
                                                             placed outside the palace halls of the wealthy. Later, with the
                                                             establishment of religious sites, some of which had originated
                                                             as the gifted residences of wealthy patrons, guardian figures
                                                             and guardian animals continued to ward off evil at the entrances
                                                             of temples and halls bequeathed or endowed anew by wealthy
                                                             patrons. Most guardian figures placed in the open were lions,
                                                             either carved in stone or cast in bronze or iron, and they became
                                                             a fashionable sign of prestigious rank outside fine residences or
                                                             generously-endowed temples. However, ceramic guardian lions
                                                             are relatively few, possibly because their inherent fragility reduced
                                                             the numbers which survived, and being outdoors they would be
                                                             more vulnerable in turbulent times (see Fig.1 for other typical
                                                             guardian figures).

                                                             This pair has survived remarkably well and each assembly is
                                                             presented imposingly in three parts with the lion resting on a
                                                             matching two-piece pedestal 90cm (36in) high. They announce in
                                                             many ways their Buddhist association.
                                                             The male lion, traditionally positioned on the right as one faces the
                                                             hall, sits open-mouthed and staring ahead with his left front paw,
                                                             as is customary, resting playfully on an embroidered brocade ball.
                                                             The female sits to the left with her mouth nearly shut and, as is also
                                                             customary, has her right paw clasped protectively around her cub.
                                                             The ball and cub are strongly embedded in traditional styling, and
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