Page 16 - Sotheby's Chinese Paintings Auction New York September 11, 2018
P. 16

ృ࡮̰Ƞ仛⧔↍㜴ᑢ๔ࡰⰸऑᲫ
             Figure 17. Fung Bi-Che and Zhang Daqian appreciating old pine trees together

             ృ࡮ژȠ਽剨喍ጓ̭喎Ƞ仛⧔↍喍ጓఈ喎㜴ᑢ㥳㭬喍ጓι喎Ƞᒽ䰜∏喍ጓ̶喎
             Figure 18. Tang Hung (most left), Fung Bi-Che (middle), Zhang Baoluo (sec-
             ond from the left) and Xu Wenbo (second from the right)
             ృ࡮ΊȠ਽剨喍ݺᢿठ̭喎Ƞ仛⧔↍喍ݺᢿጓ̭喎㜴倅ዧᶲ喍ݺᢿጓ̶喎Ƞᒽ䰜
             ∏喍ݺᢿठ̶喎ܧፚ    Ꭱᑢ๔ࡰ҉৮ᆂ
             Figure 19. Tang Hung (most right seated), Fung Bi-Che (most left seated), Gao
             Lingmei (third from left seated) and Xu Wenbo (third from right seated) at an
             exhibition of Zhang Daqian’s works in 1993.
             ృι࡮Ƞ਽剨㜴仛⧔↍ౕ仆⍜
             Figure 20. Tang Hung and Fung Bi-Che in Hong Kong



                                                           paintings—Flowers of Winter and Spring by Yun Shouping
                                                           (lot 515) and Flowers of Four Seasons by Zhang Xiong
                                                           (lot  511)—that  must  have  moved  Tang  Hung  and
                                                           enabled him to understand the brushwork and applica-
                                                           tion of color by artists of the recent past. #  e collection
                                                           also  includes  rarely  seen  early  masterpieces  of  known
                                                           masters, such as Dragon in the Clouds by Lin Fengmian
                                                           (lot  582),  and  a  group  of  outstanding  fan  paintings.
                                                           We  ! nd  not  only  ingenious  solo  works  by  famous
                                                           artists inscribed with the receiver’s name and given as
                                                           gifts, such as Lonely Scholar on Autumn River by Zhang
                                                           Daqian  (lot  548)  and  Summer  Pavilion  by  a  Lake  by
                                                           Huang  Junbi  (lot  549).  #  ere  are  also  collaborative
                                                           works, where the sentiment expressed in the calligraphy
                                                           suits the painting on the fan, such as Flowers, Vegetables
                                                           and Butter! y by Zhang Daqian and Yu Fei’an (lot 507).
                                                           #  e  works  of  Pu  Hua  are  another  highlight,  ranging
                                                           from  landscapes,  bamboo,  ! gures  and  rocks  subjects.
                                                           No one theme dominates the collection.

                                                           We  are  also  privileged  to  present  a  selected  group  of
                                                           paintings by Tang Hung and Fung Bi-Che themselves
                                                           (! gure 20) with the collection. Tang Hung’s paintings
                                                           are brimming with colors accompanied by calligraphy in
                                                           slender-gold script, creating a richly ornamented e% ect.
                                                           Fung  Bi-Che’s  paintings  fully  display  the  legacy  of
                                                           Zhang Daqian, yet are rendered with a more feminine
                                                           sense of beauty, over" owing with light. Tang Hung and
                                                           Fung Bi-Che shared a common artistic language and
                                                           philosophy coming from the same lineage in Chinese
                                                           Paintings.  #  eir  pursuit  and  expression  of  beauty  as
                                                           artists was unceasing and precious. #  e works presented
                                                           in  this  collection  were  a  treasured  source  of  beauty,
                                                           knowledge and memories for the two painters, and are
                                                           the ! nest works in the collections of the Tang Family.











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