Page 61 - Bonhams, FIne Chinese Art, Linda Wrigglesworth Collection, May 13, 2021 London
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A larger horse fashioned from a mottled jade and
           carved in a similar style, Qing dynasty, from the
           collection of Sir John Woolf, was illustrated in
           The Woolf Collection of Chinese Jade, London,
           2013, no.102, together with a pair of larger pale
           green examples, Qianlong, no.101; another jade
           horse, 17th/18th century, in the British Museum is
           illustrated by J.Rawson, Chinese Jade: From the
           Neolithic to the Qing, London, 1995, pl.26:20.
           Compare with a related jade carving of a recumbent
           horse, 18th century, which was sold at Christie’s
           London, 14 May 2019.



           52  Y
           A LARGE PALE GREEN AND GREY JADE
           CARVING OF A WATER BUFFALO
           17th/18th century
           The recumbent beast naturalistically modelled with
           its forelegs and hind legs tucked under the powerful
           body accentuated by a pronounced spine, the tail   51
           flicked to the left side and head turned to gaze
           amenably at the viewer, the gracefully-curved horns
           flanking the flat forehead, the stone of pale-green
           tone with dark-grey patches, wood stand.
           19cm (7 1/2in) long. (2).

           £7,000 - 12,000
           CNY63,000 - 110,000

           十七/十八世紀 青白玉帶皮臥牛

           Provenance: Erwin Scharf (1904-1978), and thence
           by descent

           來源:Erwin Scharf(1904-1978)舊藏,並由後人
           保存迄今

           Buffalos were emblematic of agriculture. As such, in
           Imperial China, where agriculture was considered by
           Confucian governments to be the main source of tax
           revenue, the buffalo - used for ploughing - became
           a symbol of prosperity and hard work. Emperors
           frequently likened themselves to farmers ploughing
           the fields with an ox or buffalo under their reins. See
           for example, the Yongzheng emperor depicted as a
           famer in Pictures of Tiling and Weaving Portraying
           Yinzhen, Kangxi period, in the Palace Museum,
           Beijing (acc.no.Gu6634-8).
           Another aspect of the buffalo is its guardian function,
           stemming from the legend of the Emperor Yu of the
           Xia dynasty casting an iron ox to subdue floods.

           See a related jade buffalo, Qing dynasty, illustrated
           in Jade: Ch’ing Dynasty Treasures, Taipei, 1997,
           no.151. A larger, green jade buffalo, Qianlong, is
           also illustrated in The Woolf Collection of Chinese      52
           Jade, London, 2003, no.99.
           Compare with a slightly smaller mottled dark green
           and grey jade buffalo, 17th century, which was sold
           at Christie’s New York, 21 March 2019, lot 1172.
           See also another celadon and grey jade buffalo,
           17th/18th century, which was sold at Christie’s
           London, 8 November 2016, lot 4.


           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE CHINESE ART  |  59
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