Page 43 - Korean Art, Bonhams March 2017 RObert Moore Collection
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7053
           ANONYMOUS (19TH CENTURY)
           Emperor and Empress Audience Scenes
           Pair of framed panel paintings, ink and color
           on silk depicting a male and female dignitary
           seated on elevated dias with multiple
           attendants before stylized rocks
           21 1/4 x 16 1/8in (54.2 x 41.4cm) paintings;
           30 1/4 x 22 3/4in (77.8 x 58cm) overall

           US$2,000 - 3,000
           The figural depiction is similar to that
           portrayed in Guo Ziyi’s Banquet, an
           anonymous eight-fold screen of the early
           19th century, illustrated in Sotheby’s, New
           York, Korean Works of Art, sale 6310
           (‘Misul’), lot 72.





                                             7053                             7053





























           7054



           7054  W
           ANONYMOUS (19TH CENTURY)          The longevity symbols or sipjangsaeng,
           Symbols of Longevity (Sipjangsaeng-do)   expressing the wish for a long and healthy
           Ink and color on paper mounted as a two-  life, include: the sun (hae), mountains (san),
           panel screen                      water (su), clouds (gureum), rocks (dol), pine
           30 1/4 x 52 7/8in (77.2 x 134.1cm) each   trees (so-namu), mushroom-of-immortality
           panel                             [yeongji-beseot] (bullsho), turtles (geobuk),
                                             white cranes (baek-hak), deer (saseum), and
           US$12,000 - 15,000                occasionally bamboo (juk/daenamu).

                                             For a similar, but larger, screen, see
                                             Hongnam Kim, ed., Korean Arts of the
                                             Eighteenth Century: Splendor and Simplicity
                                             (New York: Asia Society, 1994), pp. 116-117,
                                             pl. 18.



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