Page 15 - For the Love of Porcelain
P. 15

3
 View into the
 Porzellansammlung’s
 Oriental Gallery,
 Porzellansammlung,
 SKD, photo: David
 Brandt

 4  major step forward in terms of broadening                                      5
 he Oriental Gallery   access to Dresden’s Oriental porcelains                     Vase with Qianlong seal
 during the 2006   (...)’, as Rose Kerr stated in her Orientations                 mark, porcelain painted
 refurbishment,   article about the show and book. During                          with underglaze cobalt
 Porzellansammlung,   the preparations for the exhibition most of                  blue, overglaze
 SKD, photo: David   the collection was in storage and therefore                   enamels and gold, China,
 Brandt  only a few of the finest objects were on                                  1735 - 95, h. 70 cm,
 3
 show.  When Eva Ströber eventually left the                                       d. 41, D. foot 26 cm,
 museum in 2008 she had not only overseen                                          Porzellansammlung
 the development of an enlarged gallery                                            SKD, inv. no. PO 5981,
 space for the East Asian Royal porcelain                                          photo: Adrian Sauer
 holdings at the Zwinger (fig. 2), but also an
 entirely new and unique display designed
 by New York architect Peter Marino (fig.
 3). The wide-scale preparations for the
 comprehensive refurbishments had begun in
 2004 and included a selection of more than
 1,000 Chinese and Japanese objects to be
 displayed in wall arrangements, pyramidal
 étagères, tables and showcases, as well as a  porcelain manufacture with its roots in East
 new concept for the gallery texts and labels   Asia, its worldwide distribution and how
 (fig. 4). The richly engaging gallery allows  they served as the basis for the invention
 the visitor not only to view objects from  of the first European porcelain in Saxony.
 the perspective of their Baroque origins but   The redesigning of the museum was further
 also places the exquisite Meissen ware in  expanded in 2009 to the second Oriental
 a global context. The inclusion of a wide  gallery and included some of the Meissen
 variety of Oriental porcelain from the rich  rooms. It should be noted here that with
 collections of Augustus the Strong (1670–  the new display the visitor numbers at the
 1733) ultimately reflects the history of  Zwinger increased significantly.

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