Page 14 - For the Love of Porcelain
P. 14

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                   View into the
              Porzellansammlung’s
                 Oriental Gallery,
               Porzellansammlung,
               SKD, photo: David
                        Brandt

           4                   major step forward in terms of broadening                                                                                                                         5
              he Oriental Gallery   access to Dresden’s Oriental porcelains                                                                                                                      Vase with Qianlong seal
                 during the 2006   (...)’, as Rose Kerr stated in her Orientations                                                                                                               mark, porcelain painted
                   refurbishment,   article about the show and book. During                                                                                                                      with underglaze cobalt
               Porzellansammlung,   the preparations for the exhibition most of                                                                                                                  blue, overglaze
               SKD, photo: David   the collection was in storage and therefore                                                                                                                   enamels and gold, China,
                        Brandt  only a few of the finest objects were on                                                                                                                         1735 - 95, h. 70 cm,
                                   3
                               show.  When Eva Ströber eventually left the                                                                                                                       d. 41, D. foot 26 cm,
                               museum in 2008 she had not only overseen                                                                                                                          Porzellansammlung
                               the development of an enlarged gallery                                                                                                                            SKD, inv. no. PO 5981,
                               space for the East Asian Royal porcelain                                                                                                                          photo: Adrian Sauer
                               holdings at the Zwinger (fig. 2), but also an
                               entirely new and unique display designed
                               by New York architect Peter Marino (fig.
                               3). The wide-scale preparations for the
                               comprehensive refurbishments had begun in
                               2004 and included a selection of more than
                               1,000 Chinese and Japanese objects to be
                               displayed in wall arrangements, pyramidal
                               étagères, tables and showcases, as well as a  porcelain manufacture with its roots in East
                               new concept for the gallery texts and labels   Asia, its worldwide distribution and how
                               (fig. 4). The richly engaging gallery allows  they served as the basis for the invention
                               the visitor not only to view objects from  of the first European porcelain in Saxony.
                               the perspective of their Baroque origins but   The redesigning of the museum was further
                               also places the exquisite Meissen ware in  expanded in 2009 to the second Oriental
                               a global context. The inclusion of a wide  gallery and included some of the Meissen
                               variety of Oriental porcelain from the rich  rooms. It should be noted here that with
                               collections of Augustus the Strong (1670–  the new display the visitor numbers at the
                               1733) ultimately reflects the history of  Zwinger increased significantly.

                               10  I  vormen uit vuur                                                                                                                            vormen uit vuur  I  11
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