Page 51 - For the Love of Porcelain
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dog, pig) and the five elements (earth,
 wood, metal, fire, water. Shou images draw
 attention to both how long the individual
 celebrating the birthday has lived as well as
 impart the wish that he or she lives many
 more years.
 Chinese sixtieth birthday observances for
 those with wealth and power include lavishly
 ornamented decorative arts. In the past, these
 included elaborately embroidered birthday
 hangings, which in the Qing dynasty (1644–
 1911) could have images of bai shou  (‘one
 hundred longevity characters’) in a multitude
 of forms. Legend has it that sixtieth birthday
 celebrations for the notorious Empress
 Dowager Cixi (1835–1908) included the
 production of a colourful silk embroidered
 3  hanging with more than four thousand                                           4
 Artist/maker   different versions of the character shou. A                        Artist/maker unknown,
 unknown, ‘One Hundred   nineteenth-century birthday hanging with                  Wanshou vase, Qing
 Representations of   seal script shou  characters in gold brocade                 dynasty, Kangxi period
 the Character Shou   now in the collection of the Philadelphia                    (1662 - 1722), porcelain
 (Longevity)’, Chinese,   Museum of Art may not be as elaborate as                 with underglaze cobalt
 Qing dynasty,   those produced for Cixi, but it is still a quite                  blue, h. 76.5 cm,
 1644 - 1911,   sumptuous example of a birthday hanging                            Palace Museum, Beijing,
 Ink on paper (rubbing of   (fig. 2).                                              inv. no. Gu 156997
 a stone tablet),
 h. 133.4, w. 55.9 cm,   During  the  Ming  (1368–1644)  and
 Philadelphia Museum of   Qing dynasties (1644–1911), when the
 Art, inv. no. 1924-36-6,   Princessehof vase and the Philadelphia
 gift of Horace H.F. Jayne,   Museum of Art birthday hangings were
 1924  produced, there was a proliferation of objects
 with multiple images of the character shou on
 them. The popularisation of these images,
 dynasty (221–207 BC) unification of China.   particularly in a plethora of calligraphic
 The character  shou functioned as an esteemed   script forms, included archaic versions. This
 decorative element in East Asia long before   phenomenon occurred when a specific form
 the Jiajing emperor’s reign and retains this  of antiquarian studies had developed in
 status until today because of its auspicious  China and the fruits of these studies became
 meaning. Ceramics are just one of the  accessible to a broader audience through
 many media shou characters are found on.  publication.
 Imagery evoking longevity and immortality
 are a customary part of traditional birthday   Over thousands of years a few standard forms
 celebrations in China. They are popularly  of characters and multiple variant forms
 used when celebrating major milestones in  have developed. Chinese scholars have been
 later life such as a sixtieth birthday, which  compiling references with multiple forms of
 is of special significance for both men and  the character for the same word for close to
 women. At this juncture the celebrant has  two thousand years, if not more.   Groupings
 3
 completed a full sixty-year cycle based on the   of one hundred or 120 shou  characters in
 twelve zodiac animals (rat, ox, tiger, rabbit,   various forms are commonly referred to as
 dragon, snake, horse, goat, monkey, rooster,   ‘one hundred long life character images’

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