Page 323 - japanese and korean art Utterberg Collection Christie's March 22 2022
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 UTAGAWA KUNIYOSHI (1797-1861)
 Boy's day decoration with Danjuro as The Demon Queller
 Shoki
 Woodblock print, surimono, signed Ichiyusai Kuniyoshi ei, sealed
 Kuniyoshi, circa 1849
 Obirobosho surimono: 15º x 21√ in. (38.7 x 55.6 cm.)

 $30,000-40,000

 PROVENANCE:
 Henri Vever (1854-1943), Paris
 This oversize surimono was commissioned by two groups of wealthy
 fishmongers, the Shinga and the Uogashi, on the occasion of
 the departure for Osaka by the celebrated by the celebrated actor
 Ichikawa Danjuro VIII, also known as Sansho after his family's
 distinctive crest. The actor was about to visit his famous father
 Danjuro VII (Ebizo V), who had been living in the Kansai
 area since 1842 after his exile from Edo for infractions of the
 government's sumptuary laws.

 Danjuro VIII is portrayed as Shoki (known in China as Zhong
 Kui), a Chinese mythological figure easily recognizable by
 his bulging eyes, bushy beard, military outfit, scholar's hat,
 and straight, double-edged sword whose hilt is just visible in
 Kuniyoshi's image. In Japan it became common for families with
 boys to hang Shoki's image on banners outside their homes, along
 with large paper carp, to celebrate the Boy's Festival on the fifth
 day of the fifth month. Shoki paintings also acted as talismans
 against bad luck and disease, and assured future health and
 prosperity; sentiments that the actor's fan clubs would certainly
 have wished extended to their idols.
 To the left of Shoki, and the focus of his wide-eyed, squinting
 glare, is a paper tag upon which Kuniyoshi has playfully painted
 a fleeing demon. In the background floats a large paper carp
 streamer, rendered in black to indicate that the two poetry groups'
 felicitations are directed to both father and son. Poems from
 members of the two groups appear at the top right and bottom left.
 In the bottom right corner are short verses by Kuniyoshi himself,
 the block-cutter Hori Takejiro, and the printer Suriko Masa, in
 addition to the well-known Kabuki aficionado Goryutei Tokusho
 (1793-1853), who presumably acted as one of the judges of the
 poems included.
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