Page 325 - japanese and korean art Utterberg Collection Christie's March 22 2022
P. 325

171
 UTAGAWA KUNIYOSHI (1797-1861)
 Shiohi goban no uchi (Five prints of shell-gathering at low
 tide)
 Woodblock print, surimono, a set of five prints, embellished with
 metallic pigment and embossing, each signed Ichiyusai Kuniyoshi ga,
 circa 1830
 Shikishiban surimono: (20.7 x 18 cm.) each approx.  (5)
 $20,000-30,000

 Culture elites in Edo gathered to exchange kyoka, or “crazy”   This lot is a spectacular example of the genre. Women and a child
 verse: short, witty eipgrams usually in humourous vein, for special   are depicted digging for clams, while another woman on the right
 occasions. There are affiliated small groups that were socially   has caught a flounder and her companion has grabbed an octopus.
 exclusive and met more frequently. The best poetries were selected   The poems are by the members of the Hisakataya shachu and
 after each gathering and to commemorate the members, usually   celebrate the pleasure of beachcombing. Their symbol, the bridge
 high-ranking samurai, government officials, wealthy prelates, rich   for a koto, a stringed musical instrument that was placed on the
 merchants, artists and writers, commissioned prominent painters   floor, appears at the top right of each design.
 to design prints for the poetries. These commemoratives were
 known as surimono. They featured lavish printing and block-cutting   Hisakataya group commissioned another larger set of surimono
 techniques as well as expensive papers.  of women representing the members of the bandit group, which
 includes a very similar pentatych of female salt-gatherers on the
 seashore. They commissioned this set for the New Dragon Year of
 1832, and the present lot is likely to have been made around the
 same time.
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