Page 18 - Lunyushanren Col II
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北 A SMALL CARVED YAOZHOU DISH                                              北宋 耀州窯青釉刻水波紋碟
宋 NORTHERN SONG DYNASTY, 11TH-12TH CENTURY

耀

州 The dish is deftly carved and combed in the center of the                來源
   interior with a bold design of turbulent waves. It is covered           千秋庭,東京。
窯  overall with an olive-green glaze suffused with fne crackles
                                                                           展覽
   stopping irregularly in a circle around the unglazed, recessed          千秋庭,東京,《創立10周年記念展覽會》,2006年。

青 center of the base, exposing the biscuit body, which is                  著錄
磁 inscribed in ink with an indecipherable character.

波 5 in. (12.8 cm.) diam., Japanese wood box                                千秋庭,《中國美術蒐集》,東京,2006年,57頁,編號68。

濤 $10,000-15,000                         £7,600-11,000                     耀州窯位于陝西省銅川縣黃堡鎮,創燒於唐代,至十世紀起主要生
文                                 HK$78,000-120,000                        產青瓷,為華北青瓷名窯。耀州窯毗鄰水道,藉著水路方便運輸製

皿 PROVENANCE                                                               品往唐代京城長安,洛陽,以及北宋京城開封。北宋《元豐九域
                                                                           志》卷三有載「耀州華原郡土貢瓷器五十事」,可見耀州窯為北宋
             Sen Shu Tey, Tokyo.                                           貢窯之一。

   EXHIBITED                                                               宋代耀州窯瓷器講求因器施圖,從而達到紋飾和器形的統一。此碟
   Sen Shu Tey, Tokyo, The Collection of Chinese Art - Special Exhibition  敞口淺腹,因而將水波紋刻於碟心,刻畫簡潔有力,和釉水的明暗
   ‘Run Through 10 Years’, 2006.

   LITERATURE                                                              變化一起構成了層波疊浪的圖景。此器所表達的宋人對於自然紋理
   Sen Shu Tey, The Collection of Chinese Art - Special Exhibition         的興趣亦可見于繪畫領域,如南宋宮廷畫家馬遠就創作有《水圖》
   ‘Run Through 10 Years’, Tokyo, 2006, p. 57, no. 68.                     十二段 。

   Located at Huangpuzhen, Tongchuanxian, Shaanxi province,
   the Yaozhou kilns began production of a wide range of wares
   during the Tang dynasty. The kilns were well placed to use water
   transportation to the Northern Song capital at Kaifeng, and it
   is recorded that Yaozhou wares were presented as tribute to the
   Northern Song court. Both the offcial Song history and other
   literary sources mention such tribute gifts. For instance, the offcial
   gazetteer during the Yuanfeng era (1078-1085), Yuanfeng jiuyu
   zhi, mentions ffty sets of tribute ceramics sent to the court
   from Yaozhou.

   A Yaozhou celadon dish carved with a similar wave design is
   illustrated by R. Krahl in Chinese Ceramics from the Meiyintang
   Collection, vol. 1, London, 1994, p. 233, no. 420, and another
   similar dish is illustrated in The Masterpieces of Yaozhou Ware,
   Tokyo, 1997, p. 36, no. 41.

The Classic Age of Chinese Ceramics 古韻天成 — 臨宇山人珍藏(二)                                                        16
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