Page 66 - Lunyushanren Col II

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南 A SMALL LONGQUAN CELADON 南宋 龍泉窯青釉長頸瓶
宋 LONG-NECKED VASE

SOUTHERN SONG DYNASTY (1127-1279)

龍

泉 來源
窯 The vase has a compressed globular body raised on a tall cylindrical foot, Helene S. Thompson 珍藏。

and a tall neck that rises to an everted mouth rim. The vase is covered

with an even glaze of sea-green tone, with the exception of the ring foot Robert M. Ferris 四世珍藏， 佛蒙特州溫莎縣，1978-1997。
J. J. Lally & Co. Oriental Art, 紐約。
青 which is burnt to a reddish-brown color.

磁 5√ in. (14.9 cm.) high, Japanese wood box 展覽
下 J. J. Lally & Co., 紐約，《Brush & Clay: Paintings by Robert
蕪 $30,000-50,000 £23,000-38,000
瓶 HK$240,000-390,000 Ferris. Chinese Ceramics of the Song Dynasty from the Artists’
Collection》，1997年。
PROVENANCE 佳士得，《古韻天成：臨宇山人宋瓷珍藏展覽》，香港，2012年11
Helene S. Thompson Collection.
Robert M. Ferris IV Collection, Windsor, Vermont. 月22至27日；紐約，2013年3月15至20日；倫敦，2013年5月10
至14日。

J. J. Lally & Co., Oriental Art, New York. 著錄

EXHIBITED J. J. Lally & Co. ，《Brush & Clay: Paintings by Robert Ferris.
J. J. Lally & Co., Brush & Clay: Paintings by Robert Ferris. Chinese Ceramics Chinese Ceramics of the Song Dynasty from the Artists’
of the Song Dynasty from the Artists’ Collection, New York, 1997. Collection》，紐約，1997年，46-47頁，編號1。
Christie’s, The Classical Age of Chinese Ceramics: An Exhibition of Song 佳士得，《古韻天成：臨宇山人宋瓷珍藏展覽》，香港，2012
Treasures from the Linyushanren Collection, Hong Kong, 22 to 27 November 年，170頁，編號70。

2012; New York, 15 to 20 March 2013; London, 10 to 14 May 2013. 此器造型簡潔，線條秀麗，充分體現了宋代極簡主義的審美情趣。

LITERATURE 在將線條和裝飾精簡後，南宋龍泉青瓷充分詮釋了青釉在色彩和質
J. J. Lally & Co., Brush & Clay: Paintings by Robert Ferris. Chinese Ceramics 感上的表現力。憑藉多次施釉的特殊工藝和先進的龍窯所營造的還
of the Song Dynasty from the Artists’ Collection, New York, 1997, p. 46-7, 原燒造氣氛，南宋龍泉青釉得以創造出層次豐富，厚如堆脂的粉青
no.1. 釉。
Christie’s, The Classical Age of Chinese Ceramics: An Exhibition of Song

Treasures from the Linyushanren Collection, Hong Kong, 2012, p. 170, 龍泉長頸瓶大致可分為敞口和直口兩個類型。如此件長頸瓶之尺寸
no. 70. 和釉色者十分罕見。同類的龍泉窯敞口但尺寸較大之長頸瓶

A Longquan vase with a more compressed body and of larger size ( 高 21.7 公分）可參照載於根津美術館2010年出版，《南宋の青
(21.7 cm.) was included in the exhibition catalogue, Heavenly Blue: 磁》，43頁，編號13。紐約大都會博物館另藏有一件相似的龍泉
Southern Song Celadons, Tokyo, 2010, p. 43, fg. 13. Another larger 敞口長頸瓶（高21.3公分），著錄於東京1982年出版《Oriental
example with a slightly more rounded silhouette is in the Metropolitan Ceramics: the World’s Great Collections》，卷12，單色圖版
Museum of Art, New York, and illustrated in Oriental Ceramics: the 52。一對出土於四川遂寧金魚村窖藏的龍泉直口長頸瓶與此瓶尺
World’s Great Collections, vol. 12: Metropolitan Museum of Art, Tokyo, 寸較近似（高 16.9 公分）)，載於《南宋の青磁》，140頁，編號
1982, no. 52 (21.3 cm. high.). A pair of Longquan long-necked vase of 15-19。另可參照三件被定為官窯製品的敞口長頸瓶：一件藏於大
similar form and proportion but without lipped mouths was excavated 英博物館，載於1999年東京朝日新聞社出版《宋磁》，100頁，
from a Southern Song hoard in Jinyucun, Suining city, Sichuan

province, and is illustrated in Heavenly Blue: Southern Song Celadons, op. 編號63 (高 23.3 公分)；另兩件施米黃釉，載於《南宋の青磁》

cit., p. 140, fg. 15-19 ( 16.9 cm. high.). Two further larger examples ，82-83頁，編號58-59（高 22.6 及22.1 公分）。
with straight mouth rims are in the Tokugawa Art Museum and

Museum of Oriental Ceramics, Osaka, illustrated in Heavenly Blue:

Southern Song Celadons, op. cit., p. 42, fgs. 11-12 (25 and 22.8 cm.

high.). Compare also, three long-necked Longquan vases with lipped

rims, possibly made at the Guan kilns in Hangzhou: one covered with

crackled celadon glaze, in the British Museum, London, illustrated in

Song Ceramics, Tokyo, 1999, p. 100, no. 63 (23.3 cm. high); the other

two covered with crackled yellowish glazes, known as beishoku celadon,

illustrated in Heavenly Blue: Southern Song Celadons, op. cit., p. 82-83,

fgs. 58-59 (22.6 and 22.1 cm. high).

The Classic Age of Chinese Ceramics 古韻天成 — 臨宇山人珍藏（二） 64