Page 62 - Lunyushanren Col II

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北 A BLACK-GLAZED RIBBED JAR 北宋/金 黑釉堆條紋雙繫罐

宋 NORTHERN SONG-JIN DYNASTY (960-1234) 來源
古美術下條，東京。
/
黑釉堆條紋器為磁州窯系典型，其燒製方式為於胎上堆塑白色棱線
金 再施以黑釉後一次燒成。釉料於高温下自然流淌，使得黑釉隨着棱
線起伏呈現黑白對比，突顯其獨特而大方的質地，並多了一份令人
The ribbed, globular body is supported on an unglazed splayed 驚喜的現代感。

黒 foot, and the neck is fanked by a pair of strap handles. The jar is 類似黑釉堆線紋器著錄頗多，可比較一件尺寸稍大(高 25.4公
covered with a blackish-brown glaze, and the raised ridges on the 分)之黑釉堆條紋雙繫罐，載於R. D. Mowry，《Hare’s Fur,
釉 ribbed body are accentuated by vertical lines that were applied with Tortoiseshell, and Partridge Feathers: Chinese Brown-and
Black-Glazed Ceramics, 400-1400》， 劍橋， 1996, 174至
堆 creamy-white glaze. 179頁, 編號 61。瑞士玫茵堂珍藏亦有一件尺寸較小（高約
17.7公分）之例，載於柯玫瑰，《玫茵堂藏中國陶瓷》，
線 8 in. (20.3 cm.) high, Japanese wood box 卷一，248頁，編號447。.

文 $20,000-30,000 £16,000-23,000
耳 HK$160,000-230,000

付
壺 PROVENANCE

Shimojo Art, Tokyo.

Dark brown or black-glazed stoneware vessels with ribbed
decoration appear to have been made in several kilns in northern
China. Compare a slightly larger wide-mouthed jar (25.4 cm. high)
of this type, from the collection of Mr. and Mrs. Janos Szekeres,
illustrated by R. D. Mowry, Hare’s Fur, Tortoiseshell, and Partridge
Feathers: Chinese Brown-and Black Glazed Ceramics, 400-1400,
Cambridge, 1996, pp. 174-9, no. 61. A slightly smaller example
(approx. 7 in. high) is in the Meiyintang Collection and illustrated
by R. Krahl in Chinese Ceramics from the Meiyintang Collection,
vol. I, London, 1994, p. 248, no. 447.

another view

The Classic Age of Chinese Ceramics 古韻天成 — 臨宇山人珍藏（二） 60