Page 47 - The Myth and the Moment
P. 47

Afternoon

          “Oh, nobody ever heard of them. They didn’t want to be known;
        figured publicity would be the kiss of death to a group of anarchist
        writers.  No,  the  idea  was  for  each  of  the  members  to  go  out  and
        strike  a  blow  for  freedom  independently;  then,  once  a  year,  meet
        together and swap stories. One guy had a plan to smuggle books into
        libraries:  forge  the  rubber  stamp,  put  Dewey  Decimal  System
        numbers on them, even type up card catalogue entries. He couldn’t
        fake  the  computer  cards  each  book  is  supposed  to  carry,  but  that
        would be the library’s problem. And which books would he introduce
        in this fashion? Anything banned by the courts, of course.”
          “Did he succeed?”
          “No. The books were stolen, never checked out, by the patrons.
        He may as well have left them sitting on the sidewalk in Westwood.
        Another poet had a grudge against small poetry magazines, most of
        which  were  edited  and  published  by  other  poets  unable  to  get
        published elsewhere. He felt those author-editors were totally unfit to
        judge others’ work, since they inevitably set up their own otherwise
        unpublishable  works  as  the  standard.  His  plan,  therefore,  was  to
        collect back issues of these journals, say two or three years old. Then
        he  would copy a poem or two  by  author-editor  A., and  send  it  to
        author-editor B.—pseudonymously, of course. Then he would turn
        around and do the same thing with B.’s work: send it to A. After the
        rejection slips came back—you guessed it: he sent them on to the real
        authors and sat back waiting for the sparks to fly. Editorially, if not
        otherwise.”
          “Har-har-har!  That  sounds  more  like  a  practical  joke  than  a
        political act.”
          “Well,  the  Dead  Poets  had  a  strong  affinity  to  Dadaism,  a  non-
        movement if ever there was one. I won’t get Wittgensteinian on you,
        but there has to be a gray area between politics and art, and that is
        where  the  anarchist  is  most  comfortable.  Not  a  blend  of  the  two
        kinds of act or statement, but an ambiguous realm where absurdities
        commingle and horrors can be laughed at without turning them into
        comedy.  Anyway,  the  Dead  Poets  Alliance  lasted  about  two
        meetings.”
          “Wait a minute, Nate. What did you do in this war?”
          “Me? I had my own cockeyed vision of truth at that point. I was
        outraged  by  the  appropriation  of  linguistic  change  by  big  business

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