Page 46 - The Myth and the Moment
P. 46

Afternoon

        like,  my  great-great-grandfather  was  an  animist.  His  son  became  a
        Christian or else. So what should I do: worship the river gods? Carve
        a totem for my father’s grave? Sit on a bus bench waiting for some
        sweet chariot to carry me home? Nah, give me a break, man. This
        country really screws up your head. Nation of Islam!”
          “Okay,  okay.  So  you  didn’t  go  down  the  usual  paths.  What
        happened to your acting career? Hollywood has certainly opened up
        since the Sixties.”
          “Hasn’t opened up to anyone with an opinion.”
          “So you do have principles. Won’t do just anything for a buck.”
           “Brilliant analysis, Evangelino. You’re lucky I’m doing you a favor.
        This isn’t my only gig; I’ve got my fingers in a lot of pies.”
          “Still working in the theater?”
          “Naw.  No  money  there.  I  was  road  manager  for  the  Burning
        Sensations from `68 to `75—you remember them?”
          “Uh, no. Guess I wasn’t listening to pop music in the Seventies.”
          “You didn’t miss much, man. I wouldn’t have done it if the four of
        them weren’t my younger sisters. I don’t know if we broke even, but
        we really broke it up. But what about you, Nate? You look too funky
        for an over-educated white man in this city; how did you wind up
        down here?”
          “Possibly the same dynamite combination of obstreperousness and
        talent that enabled you to purchase this luxury automobile. When I
        started out, I wanted to put a message into experimental theatre, like
        Brecht or even Ionesco. That was okay as long as I was willing to
        work for nothing and the people kept coming to the performances. I
        was writing other stuff, too; poetry, essays, reviews. Sounds like the
        classic  egghead  author,  right?  Kolpak  was  around  when  I  went
        through a kind of crisis, but he probably doesn’t know it. I did a play
        for  his  theater  one  year.  He  kept  making  me  change  it.  Then  the
        actors  complained  because  their  parts  were  like  birds  without
        feathers. So I had to change it even further. The public loved it, the
        critics loved it, Phil loved it, and I hated it. Allison was in the cast,
        and  it  really  got  her  a  lot  of  attention.  So  I  had  to  repeat.  And
        couldn’t.  I  did  stay  with  politics  for  a  while,  though.  Like  your
        project. I also worked with the Dead Poets Alliance.”
          “Say what? I missed that; my eyes were on the road, for a change.”



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