Page 84 - The Myth and the Moment
P. 84

Evening

        throw  me  up  a  cud  of  consequence,  something  to  reconsider  with
        fresh juices; will it be bitter or sweet? Will some hitherto unbroken
        husk  of  information  suddenly  dissolve  and  release  its  kernel  of
        significance to my baffled starving mind? Bah, wandering again; what
        a curse! Must be that horrid hamburger; they should issue capsules of
        hydrochloric acid to anyone over the age of twenty-five rash enough
        to eat that junk food.
          All right, there it is. The Nataraja Arms. A fortress in Hollywood,
        maximum security. Subterranean parking garage, electric gate. Must
        be a pool in back, ergo a service entrance; probably off an alley. No
        matter, I’m going in the front door. I hope. Where is her name on
        here? These damned call buttons have no bearing on the apartment
        number; not names for the postman, either: those boxes are on the
        inside. No Aestheria. No Allison Schlimmer. What then? Ham found
        it. Ah, but he knew the secret. ‘The Ergon Institute.’ That must be it.
        Then poussez la touche. Or touchez la pousse. In French you can have it
        both  ways.  Maybe  she’s  not  home.  Maybe  she’s  out  with  Phil,
        scouring  the  streets  for  that  notorious  literary  miscreant,  Nate
        Evangelino. And when they catch him—
          “Yes?”
          Oops! She is there! And I’ve got no plan.
          “Uh, Aestheria?”
          “Who is there, please?”
          “It’s me, Aestheria. Nate. I’m sorry to trouble you again, but I’ve
        got to talk to you.”
          Great.  Good  going,  Nathan,  you  bumbler.  Make  up  your  mind:
        apologetic or demanding. Can’t be both.
          “Nate, I have some clients here now. They are just getting ready to
        leave, however. I’ll ask them to hold the lobby door open for you
        when they go out. Just a couple of minutes.”
          Clients?  Right,  the  spiritualism-cum-self-help  racket.  Come  on,
        Nate,  be charitable:  it’s  a  living,  someone’s  got  to  help  these  poor
        people,  relieve  them  of  their  anxieties  and  loose  cash.  But  what
        credentials  does  ex-Allison  possess?  A  bit  of  animal  magnetism,
        maybe more than a bit. Acting, a skill comprising nine-tenths of most
        professions. Okay, the basic equipment to put her spiel over on the
        paying customers, no question. But what is her line? Where did she
        get it? Make it up herself? Could she? Perhaps I’ve underestimated

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