Page 326 - The Legacy of Abraham Rothstein - text
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Genre: shtetl

              Jew on an armature; a hollow cavity in the flat bottom of the
              piece reveals that fact.

              The  appearance  of  the  subject  is  not  particularly  striking  or
              individual:  he  has a white  spade beard, a  yarmulke  and a  tallit
              with  an  embroidered  band.  The  inscription  leads  to  two
              possible explanations of the piece: Elkhanan is a given Hebrew
              name,  thus  is  the  name  of  the  subject  (known  personally  to
              AR;  “Elkhanan”  is  not  listed  in  the  Encyclopaedia  Judaica);  or,
              taking the name literally, the letters represent the words “God
              forgave”, referring to the Yom Kippur liturgy. The latter case,
              combined with the yarmulke and tallit, might point to the old
              man being at prayer on the Day of Atonement.

        76   Pious old man *
              Wood
              12.25” x 3.75”

              AR found a branch with two-toned lignum, and used it to good
              effect:  the  inner,  dark  brown  wood  became  the  head  and
              legless body of a cylindrical figure; the outer, yellow material
              turned  into  its  prayer  shawl  and  piously  clasped  hands.  The
              man’s advanced years are indicated by a long pointed beard; his
              piety by a yarmulke, tallit and the pose (which unfortunately, and
              without doubt unintentionally, resembles that of a chess-piece
              bishop:  see  no.  18).  The  artist  roughly  chiseled  the  darker
              garment  to  emphasize  its  contrast  with  the  lighter,  smoothly
              finished shawl, which falls in folds over the horizontally-bent
              forearms. The eyes are open and the forehead is wrinkled, so
              the man is clearly not praying.

        94   Standing man
              Wood
              10.25” x 4”

              AR  carved  this  enclosed  figure  within  a  triangular  niche  (see
              no. 92); the repetition of that format may indicate that all such
              pieces  were  produced  in  the  same  period.  Here  a  man  in
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