Page 284 - The Encyclopedia of Taoism v1_A-L
P. 284

CES H EN

             Today, the Can tong qi is chanted daily in Sata Zen temples throughout Japan.
          InJapanese, the title of the alchemical Cantong qi is transcribed Sandokei, while
          the title of the Buddhist Cantong qi is transcribed Sandokai.

                                                              James ROBSON
          ID  Robson 1995, 259-{)3; Shiina Kayli 1981; Suzuki Shunryli 1999; Yanagida
          Seizan 1974
          * Zhouyi cantong qi;  TAOISM  AND  CHINESE  BUDDHISM



                                       Ceshen




                                  Spirit of the Latrine


          It may be speculated that the Spirit of the Latrine was at first installed to guard
          a particularly unclean and thus vulnerable area of the residential  complex
          against the intrusion of similarly unclean ghosts and demons. The earliest
          stories about a spirit of the latrine, which date from the fifth century, however,
          already give this figure a different twist: the Spirit of the Latrine is the soul of a
          concubine or secondary wife killed in the outhouse by a jealous principal wife.
          Sacrifices to the victim's spirit started out of pity or a felt need for propitiation.
          Various names were given to this spirit, of which the most common were:
          the Purple Maiden (Zigu ~~i!i), the Third Damsel of the Latrine (Keng san
          niangniang :l:Ji: = ~LHli!),  or Lady Qi (Qi furen ~:j(A). Being closely connected
          with the concerns of women through her manner of death, this deity came
          to be worshipped mainly by women. A household's women would assemble
          at the latrine on the fifteenth day of the first moon to make offerings to the
          goddess and to divine about the prospects of the coming year.
             The manipulation of a Zigu image fashioned out of chopsticks and a
          winnowing basket to trace lines on the ground is  generally believed to be
          the earliest form of Chinese spirit writing, out of which the practice of *fuji
          developed. Thus this humble deity is closely connected with spirit writing as
          a divination technique that came to play an important role in both Taoist and
          popular practice since the Song dynasty.
                                                                Philip CLART

          ID  Jordan and Overmyer 1986, 38-39; Ma Shutian 1997, 275-82; Maspero 1981,
          II9-20; Zong Li and Liu Qun 1987, 418-26

           * TAOISM  AND  POPULAR  RELIGION
   279   280   281   282   283   284   285   286   287   288   289