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KAITIAN JING                       597




                                          Kaitian jing




                                Scripture of the Opening of Heaven


               This work, probably dating from the Tang period, is found twice in the Taoist
               Canon, once in the *Yunji qiqian (2.9a-14b) and once, with minor variants, as
               an independent text (CT 1437). It describes one of the many Taoist versions of
               the genesis of the world, and integrates this theme with two others: that of
               the god *Laojun as the master of the world and its rulers, which places him
               before the generation of the world as the instructor who presides over its or-
               ganized form and order; and that of the sacred scriptures that preside over the
               creation of order before and after the cosmos is generated (see *REVELATIONS
               AND  SACRED  TEXTS).
                  The text,  which shows slight and purely formal traces of Buddhist influ-
               ence, begins with a description of Laojun standing alone in dark emptiness,
               using several sets of negations and terms that commonly refer to the Dao
               (e.g.,  "not visible,"  "not audible").  This is  followed by a narrative descrip-
               tion of the gradual formation of the world over long cosmic eras, with
               various precosmic geneses succeeding each other according to the pattern
               of the so-called Five Greats (wutai Ji A; see *COSMOGONY). At each of these
               geneses, Laojun descends to give teachings and issues a sacred scripture.
               Then Heaven and Earth progressively begin to separate and space becomes
               organized; then there appear the sun, the moon, and human beings, who at
               first are without conscience, names, and funerary rites. After them comes
               Chaos (*hundun),  which generates two sons,  the gods of the mountains
               and rivers. Then come the Nine Palaces (*jiugong), which allude to the nine-
               fold organization of Heaven and Earth. Thereafter Laojun continues to
               descend to earth in order to assist the first mythical emperors who reign at
               the beginning of humanity, still producing scriptures and teaching the first
               artifacts, the basic elements of cosmic knowledge, and the rules of civilized
               order.
                  The text ends at the beginning of the Zhou dynasty and concludes with
               a passage on the structure of the world based on numbers, cyclic signs, and
               trigrams in the tradition of the Han cosmologists. Laojun speaks of himself
               as a cosmic being, whose individual bodily parts are endowed with numbers
               following the so-called Luoshu  (Writ of the Luo [River]) magic square (see
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