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LAOJUN  RASHIYI  H UA  TU

                )  !-- it Iii ~ (Eighty-One Transformations of the Most High Lord Lao of
                Mysterious Origin of the Golden Portal, Illustrated and Explained) dating to
                1598 is held in the Museum fUr Vblkerkunde in Berlin. It was first reported by
                Herbert Mueller in 1911 (Mueller 1911, 408-11) and examined by 1913 by either
                Paul Pelliot or Edouard Chavannes or both (Chavannes and Pelliot 1911- 1 3,
                part 2:  116-32), and as Kenneth Ch' en (1945-47) noted, has the two names of
                Linghu Zhang and Shi Zhijing at its head. Pelliot and Chavannes concluded
                that Linghu and Shi were its likely compilers. The text was certainly extant
                by 1250 and if Shi Zhijing was partly responsible for its composition, it cannot
                have been composed more than a few decades earlier than that.
                  Apart from  the Berlin manuscript referred to above, Yoshioka Yoshitoyo
                (1959b) describes two editions-a "Taiqing gong -j;: rff '§ edition" and a "Hang-
                zhou edition"-in the collection of the Japanese scholar, Fukui Kojun. More
                recently Lu Gong (1982) has reported a 1532  Liaoning edition. However, by
                far the easiest way to consult this text is  through a reprint of it appended to
                Florian Reiter's translation (Reiter 1990b). The text he reproduces is credited
                to the Manao J,~ r~ publishing house with no date or place of publication. It
                is held in the library of the Australian National University.
                  The Eighty-One Transformations  is  a series of beautiful annotated illustra-
                tions. It begins with three images of Laozi and a picture of an inscribed stele
                reading "Long live the emperor." This is followed by sixteen pages depicting
                thirty-one Taoist patriarchs, many from the centuries immediately preced-
                ing the book's composition. Then follow the depictions of the eighty-one
                transformations themselves, each accompanied by a short text. The first few
                show his existence in purely cosmic time, beginning with him arising in the
                "non-beginning" (wushi $.\li ~€:;) and proceeding through the phases of the cre-
                ation of the cosmos. By number 11, he is in the time of Fu Xi tIC ~ appearing
                as Yuhua zi ~ i¥ T , by number 19 he is in the time of King Wen of the Zhou
                (Wenwang X.:E, r. 1099-1050 BeE) as Bianyi zi ~ {5 T . Famously, in number
                34, he transforms *Yin Xi into a Buddha and sends him to explain the Siitra in
                Forty-Two Sections (Sishi'er zhangjing IZ!l + = -m~&D to the Hu M barbarians.
                Number 58  concerns the appearance to *Zhang Daoling in the Later Han.
                The final illustrated transformation is dated to 1098.
                                                                   Benjamin PENNY

                III  Boltz J. M. 1987a, 67-68 and 279; Ch' en Kenneth K. S. 1945-47; Kohn 1998b,
                56-57 and passim; Kubo  oritada 1968; Lu Gong 1982; Reiter 1986; Reiter 1990b;
                Reiter 2001; Schmidt 1985; Yoshioka Yoshitoyo 1959b

                * Laozi and Laojun; HAGIOGRAPHY
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