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LlNGBAO

               Emperor and populated by the "heavenly Perfected" (zhutian zhenren i'itf*
               $t A) of earlier kalpa-cycles (*jie).  Elements of the celestial language, *dafan
               yinyu ("secret language of the Great Brahma"), of these heavens, written in
               elaborate graphs, serve as talismans and as powerful chants.
                 As  the above shows, the Lingbao scriptures follow  the tendency of the
               Shangqing scriptures to organize the cosmos in terms of three and five  (see
               *sanwu). The cardinal directions and center come under the rule of the Five
               Emperors (wudi Ji *) adopted from Han imperial cult and the "weft texts"
               (weishu ~Jil:~; see *TAOISM  AND  THE  APOCRYPHA). In one scripture, the three
               heavens are further subdivided into nine cosmic heavens, which are given San-
               skrit-sounding names and associated particularly with the gods of the human
               body. The "earth-prisons" or hells of the scriptures, however, are divided ac-
               cording to the "ten directions" -the four cardinal directions, their intermediate
               points, above and below-more frequently seen in Buddhist texts.
                 While the narrative structure of the first part of the Lingbao scriptures
               places all events many kalpa-cycles into the past, they foretell the violent end
               of a kalpa-cyde in the jiashen  I j1  $  year (the twenty-first of the sexagesimal
               cycle; see table IQ) of our own world-system. In this, they respond to the es-
               chatological fervor already evident in the Shangqing scriptures, but portray
               the new age as beginning with the appearance of the Lingbao scriptures them-
               selves to sweep away all other religious doctrine. (See the entry * APOCALYPTIC
               ESCHATOLOGY.)

               Gods and spirits. The Lingbao texts describe an elaborate cosmic bureaucracy
               and instruct practitioners to approach these celestial powers through ritual and
               supplication. At the apex of the pantheon is the Celestial Worthy of Original
               Commencement (Yuanshi tianzun JIJ;$ X:!f; see * sanqing). This deity plays
               somewhat the same role in the Lingbao scriptures as the cosmicized Buddha in
               Buddhist scriptures. His emergence in the heart of the primeval Dao is traced
               through a series of five  groups of kalpa-cycles that are given reign-names in
               the manner of human dynasties (for their names, see *COSMOGONY).  Next in
               importance is the Most High Lord of the Dao (Taishang daojun ;tI@~n,
               a deity who serves as the disciple of the Celestial Worthy and interlocutor in
               many Lingbao scriptures. With the exception of Laozi, whose existence in
               the prior heavens was as the Emperor of the West, the Five Emperors of the
               four directions and center do not appear as  actors in the scriptures, but are
               invoked in ritual.
                 The deities resident in the human body include those already elaborated
               in the Shangqing scriptures. Particular reference is  made to a group of five
               internal deities who date back to Celestial Master practice:
 l               I. Great Unity (*Taiyi :X. --), essence of the embryo of perfection, who lives
                   in the palace of the head known as the Muddy Pellet (*niwan)
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