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LUZU  QUANSHU                       727

                 I. The original edition of 1742.
                 2. An edition made at the Tianxiang ge *- W M (Qiantang ~:l;W, Zhejiang)
                   in 1775. A reprint, made at the Chongshan tang *:g ¥: (Xiangtan ifll 1'-,
                   Hunan) in 1868  with the addition of the Chanzong zhengzhi :f!II * lE t~
                   (Correct Directions on the Chan School), is  included in the *Zangwai
                   daoshu (vol. 7).
                 3. A reduced-format edition made at the Qianqing tang T I:Ji ¥: (Shanghai)
                   in 1917, reprinted in 1920 and 1930.
                 4· An edition published by the Dexin yinwu gongsi i~ {N fP ~ 0 PJ  (Hong
                   Kong) in 1965 and 1979,  which also includes the *Lingbao bifa, reprinted
                   by the Qingsong guan c~. to Will.  in Hong Kong in 1991.
                 Other editions of the Liizu quanshu with different numbers of juan include
               those by Shao Zhilin N~;t~ (I748-18ro) in sixty-four juan,]iang Yuanting Wf
               5'C)g (1755-1819) in sixteen juan, and Chen Mou Il*~ (fl. 1852) in eighteenjuan
               (see *Taiyi jinhua zongzhi).
               Contents. Juan  1 and 2 of edition no.  4 above contain Lii  Dongbin's biogra-
               phy (Liizu benzhuan  /;\ f.l3.*1W,  also found in the *Daozangjiyao, vol.  12), the
               Xianpai yuanliu {ill f* tl rJTE  (Origins and Development of the Lineage of the
               Immortals), and more than one hundred legends concerning miracles and
               traces left by Lii during his numerous manifestations in  the human world.
               Many of these stories that circulated from the Song period onward come
               from the Chunyang Lii zhenren wenji, to which Huang Chengshu added his
               own revisions along with supplementary Ming stories gathered from other
               sources (e.g., the Shenxian tongjian f$ {ill .@if'i). Some stories are also found in
               the Shengjijiyao ~R.~c.~ (Essential Chronicle of the Saint's Traces), which
               is available in the Daozangjiyao (vol. 13).
                 Juan 4 and 5 consist of poems, chants, lyrics, ballads,  and other works
               attributed to Lii and dating from the Song to the Ming periods, such as the
               *Qinyuan chun (Springtime in the Garden by the Qin River;  trans. Baldrian-
               Hussein 1985)  and the Baizi bei  Ff'r:ii~ (Hundred-Word Stele; trans.  Cleary
               1991a, 239-52). They are grouped under the title Wenji !J:. #f (Collected Works)
               and mainly derive from the Chunyang Lii zhenren wenji. Most of these works
               are also found in the Daozangjiyao.
                 Juan 6 to 28 contain works not found in earlier collections. These include
               the Zhixuan pian t~~~: ~:''i  (Folios Pointing to the Mystery), a work modeled on
               the *Wuzhen pian and allegedly annotated by *Bai Yuchan; the Zhongxiao gao
               ,~, *~jlf (Declarations on Loyalty and Filiality); the Bapin xianjing )\. ~b {ill i.l'f
               (Immortal Scriptures in Eight Chapters); the Wupin xianjing Ii 8b {ill *~ (Im-
               mortal Scripture in Five Chapters); the Sanpin xianjing = ® {ill ~~ (Immortal
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