Page 131 - Aldi Lukman Nurhakim_How to Write Critical Esays: A Guide for Students of Literature
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130  How to write critical essays
             extracts on the page, you may seem ignorant of, or careless
             about, the formalities of literary criticism. But if you misquote,
             you will sound casual about literature itself. At worst, your
             reader may begin to wonder whether you are interested in
             discovering and expressing the truth.
               There are two different formats by which to indicate that
             you are ceasing to write your own prose and are now
             reproducing an extract from a text. One is for a brief quotation:
             no more than twenty words of prose or two complete lines of
             verse. The other is for more substantial extracts.
               Shorter quotations should be distinguished from your own
             prose simply by being enclosed in single quotation marks. In
             extracts from poems, line endings must be identified by an
             oblique stroke:
               Byron’s journals suggest impatience with modern poetry.
               Keats’s verse, for instance, is disdained as ‘a sort of mental
               masturbation’ (Letters and Journals,  Vol. VII, p. 225).
               Wordsworth, however, is a less dismissible enigma: a
               ‘stupendous genius’ if also a ‘damned fool’ (Vol. V, p. 13).
               In  Childe Harolde, Byron himself tries out a
               Wordsworthian pantheism: ‘Are not the mountains, waves
               and skies, a part/Of me…?’ (Canto III, stanza 75). The
               question, however, may not be merely rhetorical. The
               Alpine landscape, only a few stanzas earlier, has been said
               ‘to show/How earth may pierce to Heaven, yet leave vain
               man below’ (III, 62).
             A longer quotation is set clearly apart from your own
             sentences. The correct layout is that which I have just used
             above in quoting from an essay on Byron. The sentence
             which introduces the quotation should end in a colon. Then
             your pen should move down to a new line and write the first
             word of the quotation at least one inch further to the right
             than the margin you are using for your own prose. Every
             ensuing line of the quotation should be indented to this same
             extent. Each line should also end earlier than lines of your
             own prose. The quotation is thus framed by additional
             margins on both sides. Note that the first line of the above
             extract is no more indented than those that follow. This
             signals that the quotation does not begin at the point where
             the original text starts a new paragraph. Had I written the
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