Page 58 - Aldi Lukman Nurhakim_How to Write Critical Esays: A Guide for Students of Literature
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Planning an argument  57
             secular poems and a couple which you think are interesting as
             marginal cases which could be interpreted as belonging in either
             group.
               You will not have space to treat all these with equal
             thoroughness. Whatever your view may be on the title’s overall
             question of comparison, you will need at some stage to offer
             sustained and detailed accounts of a few whole poems.
             Obviously you must not allow your argument to fragment into
             a mere anthology of midget essays each of which offers a self-
             contained analysis of one poem. Yet some of your paragraphs
             must concentrate on the interaction of different techniques
             within a single work.
               Do you devote one such paragraph to each poem or should
             you deal with even fewer works but give each a more extended
             discussion of two or even three paragraphs? The merits of range
             have to be weighed against the advantages of depth. You might
             explore the cumulative impact of all the techniques used within
             each work and go into so much detail that you can give only a
             full account of one religious and one secular poem. That would
             probably be excessive. On the other hand, readings of as many
             as a dozen poems would have to be confined to twelve
             vulnerably brief paragraphs. These could show no more than a
             superficial grasp of each work’s shifting style and developing
             implication.
               The choice will, of course, depend on how many paragraphs
             need to be reserved for other purposes. Presumably you will
             also want to have some paragraphs which can show how a
             particular technique remains recognizable throughout the
             various poems which deploy it, however varying its immediate
             context and localized connotation. If one seems to you
             demonstrably crucial, and if you do have permission to write a
             relatively long essay, you might allow two, or even three,
             consecutive paragraphs to explain how, and how well, the texts
             use that particular method. You may, however, have to confine
             yourself to writing one paragraph each even on those few
             techniques that interest you most. For the others, you may have
             to find some logical groupings which will justify your
             considering two or three together within a single paragraph.
               Your larger ideas on the essay question will also need to be
             assessed. Which deserve most and which least space? Which
             will strike your reader as relatively fresh? Which, however
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