Page 87 - Aldi Lukman Nurhakim_How to Write Critical Esays: A Guide for Students of Literature
P. 87

86  How to write critical essays
               the number of acres and the use of ‘excellent’. In the end, the
               land’s excellence is not dependent on its being beautiful to
               look at and listen to (that charmingly ‘prattling’ stream
               clearly has nothing important to say); land is ‘excellent’ if it
               is productive and profitable to the owner who has invested
               his venture capital in it.
             The commentary which follows the quotation here centres on
             just two terms—‘sheltered’ and ‘excellent’. Yet an interesting
             argument about the text’s values is initiated and convincingly
             shown to derive from close reading of the novel’s own prose.
             The number of details noted in discussing a quotation is often,
             as here, less important than the precision with which they are
             used.
               A less thoughtful student, having quoted the same passage,
             might easily pick out many more words to quote again in the
             commentary and yet say far less:
               Many of Goldsmith’s terms here are tellingly apt. Most of
               the adjectives, for instance, are particularly felicitous
               choices—‘sheltered’, ‘beautiful’, ‘excellent’. The characters
               are shown to be well-pleased with their new home. The
               nouns tell us more than enough about the scene to explain
               why they find it so attractive. We are given a clear picture
               of the ‘habitation’ beneath the ‘hill’, the ‘underwood’ in the
               background, the ‘stream’ in front, the ‘meadow’ and ‘green’
               on either side. How carefully the novel here informs us
               about its setting, even to the point of calculating the farm’s
               size as ‘about twenty acres’. We are guided to hear as well
               as see the ‘river’ since ‘prattling’ is such a brilliant adjective
               to describe it.
             The first commentary surely reveals more exactly what the
             passage may be suggesting. It wastes less space on what all
             readers are bound to notice and concentrates on more debatable
             implications which can explain the student’s own response and
             judgement.
               Sometimes, however, quantity—though still a secondary
             consideration—is important. If you ask your reader to work
             through an unusually long quotation, your subsequent
             commentary must be expansive enough to justify the exercise
             Students who quote an entire paragraph running to ten
   82   83   84   85   86   87   88   89   90   91   92