Page 14 - Philly Girl
P. 14

xiv                                         Janice Shapiro

            thinking and believing, even until the final months, that
            she might somehow defy the odds and live into her 90s like
            her mother did. I could not, would not, picture it ending.
               But Janice always had another surprise up her sleeve.
            At the very end of December 2017, she told me about the
            stories she had been writing. She’d been at it for 25 years, and
            aspired to turn them into a book. She recognized that she
            needed an editor, someone to help give it shape. She asked
            me to work with her on this project. Jan began to send me
            the vignettes that make up Philly Girl. I was astounded. The
            stories were warm and witty, intimate and evocative. Brutally
            honest and often hilarious. Pure Janice. Turns out—much
            to my surprise and delight—she was actually a very good
            writer. A natural. We worked, back and forth, well into the
            spring and early summer of 2018. This project brought us
            closer together than we had been in many years, and it was so
            meaningful to both of us. I see it as a gift she gave me. And
            here, in this book, is a gift that Jani gives you, the reader.
               Make no mistake. This is not a book about cancer. It is
            not a memoir about battling an illness, though she alludes
            to that sorrow in places. Mostly it is a book about Janice:
            daughter, wife, mother, grandmother. Friend, reader, trav-
            eler, listener, healer, foodie, writer. It is a memoir in the tru-
            est sense. Jani’s memories, from the time she was a child,
            through every stage of her eventful life.
               These stories, these vignettes, demonstrate Jani’s passion
            for living, her grace under pressure, her ability to forgive
            and accept forgiveness, and her struggle to remember and to
            understand. They trace the trajectory of her journey—like
            a dance, she traveled solo, partnered, and with a group. A
            dancer to the end.

            Bonnie Gordon
            Spring 2019
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